A Quote by Lisa Stansfield

We were working class, but my mother stopped working at the mill when she married my father and he went on to become an electrical engineer and later a draughtsman. So although we were never rich he was bringing in enough money to be able to splash out occasionally.
We were fortunate at that time we were working with Virgin, and with Flood, probably more well-known as Brian Eno's engineer now and U2's producer, etc. Even though we weren't working in a strictly popular music area, which was great, we were lucky enough to work with people who were on the cusp of those sort of things.
I never liked my father. He really was a dullard and misanthrope. My mother and he were married for 22, years and it was an ill match. She encouraged me to be a writer. She opened her home to black friends, and this was the 1950s. She didn't care later when I write about her.
My parents were born and brought up in New York City. My father was trained as an electrical engineer, and my mother was an elementary school teacher. They were the children of Jewish immigrants who had come to the United States from England and Lithuania in the late 1800s.
My mother was a housewife but she was also an artist. My father was an electrical engineer.
When Benjamin Disraeli spoke of the 'two nations' in Britain he was perfectly right, only the working classes were not exactly a nation. But the gap in behavioral standards and in outlook, and of course in standards of living, were enormous. And in course of time, at least in countries such as Britain, the working classes more or less adopted and have become assimilated to the standards of the so-called 'gentle' classes. That is assimilation.The working class has hardly been able to govern, but they are no longer outsiders in relation to the state as they were before.
My mother was in advertising and worked incredibly hard when she was bringing us up. She was a working mother and a working single parent. That instills in you a sense of determination.
My mother [was in advertising and] worked incredibly hard when she was bringing us up. She was a working mother and a working single parent.
It used to be that the working class, broadly speaking - Americans who worked with their hands, who worked in factories, who were not in management - were an interest group, a political interest group. And their main spokespersons were the Democrats. Their platform was the Democratic Party. And that began to change after the 1960s. Not for black or other working class Americans, but for white working class.
I suppose I don't have to work, but I do love working. I class myself as a working-class girl, and I've never stopped working. When I'm offered shows here, there and the other, I do an awful lot because I feel other people would love to be offered what I'm offered; who am I to say no? I'm definitely working class, and I always will be.
I can't imagine my life without books. My father was an electrical engineer, and my mother was a public school teacher. Books were an integral part of my childhood.
We were very - we were a working family, and my father had this very simple philosophy, simple working class approach. If you spoke to my father and said, "Mr Smith across the road, what do you think of Mr Smith?", he'd only - he'd only say a couple of words. He'd say, "He's a worker", and that meant this bloke got up in the morning, went out, worked, brought his money home, fed his wife and kids, housed them, got them to school, educated them, made sure they were safe and all that. It had so much connotations to it.
Once we were a part of Equity, we were able to get a salary, and then because we were employing ourselves, we just made sure we were always working. We put in hours to get subscribers. We used to do little shows at rich peoples' houses to get them to give us money.
Kids don't have a little brother working in the coal mine, they don't have a little sister coughing her lungs out in the looms of the big mill towns of the Northeast. Why? Because we organized; we broke the back of the sweatshops in this country; we have child labor laws. Those were not benevolent gifts from enlightened management. They were fought for, they were bled for, they were died for by working people, by people like us. Kids ought to know that.
Woodfall wasn't deliberately telling working-class stories, but John Osborne and other writers who were involved with them were writing those stories, which had never really been written before. The working-class person always had to have an accent before, was often a joker, and peripheral. At Woodfall, they were driving the film.
In 1981, when I passed out of Class 12, you could either become a doctor or an engineer. If you did not take up Science in Class 12, you were not considered a good student. The Arts were a no-no.
When I started Oracle, what I wanted to do was to create an environment where I would enjoy working. That was my primary goal. Sure, I wanted to make a living. I certainly never expected to become rich, certainly not this rich. I mean, rich does not even describe this. This is surreal. And it has nothing to do with money. I mean, you buy clothes with money, and cars. But I really wanted to work with people I enjoyed working with, who I admired and liked.
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