A Quote by Lisa Stansfield
I always remember when I first started out and first became a little bit famous, I went to a celebrity party. For me it was really intimidating.
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I remember when I first started playing tennis, it was always my sister dressing me. She wanted me to look good. And then it really became a routine for me. It doesn't consume too much of my day, but it's something I always pay conscious attention to.
When someone new comes on and has their first nude scene - and even if it's not full nudity - it's always a weird, awkward setup. We have these famous merkins which are sort of toupees for your delicate areas to make it look like you're naked but cover you up a little bit. But we joke around a little bit with the newbies who are trying that stuff on for the first time.
Well I loved Little League; so all the memories are pretty fond but I broke my thumb. That wasn't a lot of fun. I think probably the first time I pitched [I started out as a first baseman] and the first game I pitched in Little League, I struck out 10 batters. I had a curve ball a little early [laughs]. You're not really supposed to have one when you're 12, but I did, so I first game I struck out 10 batters. That's possibly my fondest memory.
I got out of school in 2000, and I always wanted to be on 'This American Life,' since I first started telling stories. And that, I mean, that show is a little bit of a fortress. It's really hard to get stuff on that show.
I always loved writing, but I feel like I really started writing when I got my BlackBerry . It was the first time I could take these crazy thoughts in my head and actually get them out. This little device became my journal on the road.
I definitely wasn't anything special when I first started but I think I adapted quite quickly into racing and it became a bit better slowly. All of cadets, the first four years of karting, I only won one proper race, one! Which was the British Open Championship at PFI and I started 21st and I won.
When I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there.
When I first started writing songs, I was probably about ten or twelve years old, and the first thing you think as a songwriter is, 'Can this be a hit? Can this come out, and people are going to hear the song and like the song, and then they're going to like you, and you'll get famous and rich?' That hasn't changed a bit.
I was at first but I mean I thought at first that I wanted a little bit of that in there but the reasoning behind what they cut and what they kept really makes sense and it really played for me when I saw it yesterday, it all worked and was understood.
My first fight. I fought a girl that was a little bit heavier, a little bit more experienced and I was petrified because I didn't know what I was getting myself into. And I did really well against her and nobody believed it was my first fight.
I was going out with a few girls and we were in a local. A girl started shouting 'Gogglebox' at me and became really intimidating. I left but I lay awake crying, wondering if the girl knew where I lived.
Your first attempt will be terrible.... Remember that everything great you see started out as someone else's bad first draft..... Whenever someone sends me a manuscript and says, 'It just flowed out of me,' I usually think: Let it flow back into you for a while.
I'm a really private person. I just love my work. I feel like celebrity has changed so much, in this culture. Ever since they started with those reality shows and people that aren't actors but they're really famous, it's gotten very different from when I started out. So, the idea of ever becoming more than what I had is not really what I want.
Probably my first memory of theatre, the first one I guess that had an impact on me was when I saw my very first panto with my Primary School. I think just going there and experience that for the first time, being so young, it's something that's actually stuck with me right up until now. And to think back and to sort of remember that magic and that first little hint of it was brilliant.
Before all this happened, I always used to see my stammer as being a negative, all my life, but then when I went on 'Pop Idol,' and the first time I saw it on television, it was really, really bad, but also it made me stand out; it made people remember me. So for the first time in my life, it worked to my advantage.
Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the time I got to my own show, but I remember that they put me under contract at $100 a week, which to me was really an astronomical price.
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