A Quote by Lisa Stansfield
You don't hear that much about me being a white and singing soul music in England, but I get the feeling that in America it's really a big thing. It's like, 'God, look at the color of her skin.'
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I don't care what color your hair is, if you're pale or tan, if you have makeup on or just woke up all I care about is that when I look at you, you always look back and see me. You're beautiful inside and out and if you wanted to tattoo all that pretty white skin from head to toe I would be honored to put it there for you but if not I'll take you all smooth and milky white any chance I get.
When I was, like, 5 years old, I used to pray to have light skin because I would always hear how pretty that little light skin girl was, or I would hear I was pretty to be dark skin. It wasn't until I was 13 that I really learned to appreciate my skin color and know that I was beautiful.
Not so much the sound but as a person, I would say Katy Perry inspires me because you can always see that she's being true to herself. She focuses on her music and even turns down big producers. Her whole career and music is about her being herself. I want to be more like that.
This is really skin privilege, the ranking of color in terms of its closeness to white people or white-skinned people and its devaluation according to how dark one is and the impact that has on people who are dedicated to the privileges of certain levels of skin color.
I know what love feels like. That is one thing I have found. That is one thing that is much clearer because of fibromyalgia. Because once you experience real pain you recognize the vibration, the feeling of being healthy, happy and loved. If I'm not living from my heart, I get sick. I need to do things that feed my soul, like being with people I love, or playing my guitar, or listening to music.
For me, there's a tremendous challenge of singing with Faith, who, in my opinion is one of the best singers in the world. She doesn't get enough credit for being as good as she is. She's so beautiful that people look past her singing. But for a journeyman like me to keep up with her is a real tough sprint.
I don't know if it's more acceptable or if black men are more comfortable. Black men certainly are more comfortable with it. I don't know that society, like white society loves it or black women. When you see a black man with a white woman there is a feeling that you have and I think the feeling is an instinctual feeling of you want her you don't want me. I don't look anything like her, so you don't like. You know what I mean? Something like that. It's a real instinctual primal thing.
Perfect love is to feeling what perfect white is to color. Many think that white is the absence of color. It is not. It is the inclusion of all color. White is every other color that exists, combined. So, too, is love not the absence of an emotion (hatred, anger, lust, jealousy, covetousness), but the summation of all feeling. It is the sum total. The aggregate amount. The everything.
If you listen to soul music, or R&B music, or Blues music, a lot of that came from church music and spiritual music, and music has always been a really really powerful tool that people have used to get them closer to God - whatever they define God as. And for me that's always been part of what drew me to it and keeps me coming back for more.
The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with just their voice and a guitar about their feelings and about their life. Their poetry is relatively simple, in the sense that it's about their soul in jeopardy.
Rule Number One for working for a white lady, Minny: it is nobody’s business. You keep your nose out of your White Lady’s problems, you don’t go crying to her with yours—you can’t pay the light bill? Your feet are too sore? Remember one thing: white people are not your friends. They don’t want to hear about it. And when Miss White Lady catches her man with the lady next door, you keep out of it, you hear me?
We hear a lot in this country about family, and 'American Family' just shows us a portrait we haven't seen as much of yet. 'American Family' lets us know that being American isn't about the color of your hair or eyes or skin: it's really a state of mind.
One thing I know about Willie Hutch: my homie, [Big] Jerm, listens to nothing but Soul music, so he put me on to all this Soul music back in the day.
I think people just feel me. Whenever they listen to the music, it's just coming out. I think you can hear what I put into it. A lot of it is God. You can use stuff to where you want it. Like I pray to God, and I asked for direction early on, and he gave me so much. It's like rappers and soul singers is taking to me. That's both sides of me.
I think the transition between singing covers on a reality show to being able to do my own thing was really exciting. I'm no longer singing covers every second, and people are actually getting to hear my own original music.
When I think back about my immediate reaction to that redheads girl, it seems to spring from an appreciation of natural beauty. I mean the heart pleasure you get from looking at speckled leaves or the palimpsested bark of plane trees in Provence. There was something richly appealing to her color combination, the ginger snaps floating in the milk-white skin, the golden highlights in the strawberry hair. it was like autumn, looking at her. It was like driving up north to see the colors.
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