A Quote by Lisa Unger

Alafair Burke is one of the finest young crime writers working today. — © Lisa Unger
Alafair Burke is one of the finest young crime writers working today.
Michael Koryta isn’t just one of the finest authors working in the crime genre today. He’s simply one of today’s finest authors, period. His stories are taut, compelling, and beautifully rendered. His understanding of human nature-the good, the evil, and all the gray between-is masterful. THOSE WHO WISH ME DEAD is Koryta at his best.
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
Alafair Burke understands the criminal mind. Long Gone is both an education and an entertainment of the first order. This is a very clever and very smart novel by a very clever and smart writer. The dialogue crackles, the plot is intriguing, and the pacing is perfect.
The truth is that the writers who most influenced me weren't people categorized as crime writers. I'd say I learned more from John O'Hara, who isn't much read today but whose short stories I really admired, and Hemingway, who I think has lasted pretty good.
Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now.
Alafair Burke's first standalone is a must read! You'll lose yourself in this riveting story of Alice Humphrey, a woman whose nightmare begins when she goes to work at her new gallery job, only to find everything gone—and a murdered man on the floor. You can't guess the plot twists that follow, as Alice's whole word turns upside down and she has to question everyone and everything she thought was real. And the ending is a shocker you'll never see coming.
The best young writers are convinced they need blurbs from famous writers before an editor will even read the first page of a manuscript. If this is true, then the editorial system that prevails today stinks. And let's start reforming it.
I am always interested in why young people become writers, and from talking with many I have concluded that most do not want to be writers working eight and ten hours a day and accomplishing little; they want to have been writers, garnering the rewards of having completed a best-seller. They aspire to the rewards of writing but not to the travail.
My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.
In crime, I like Ian Rankin and James Lee Burke. As for historical books, I enjoy Bernard Cornwell, Patrick O'Brien, and C. S. Forester - anything with battleships!
We haven't had crime writers, and for a long time in the Republic, we didn't seem to have a crime problem as such.
Based on what I know of the case, Burke Ramsey was not the killer. I absolutely do not believe that Burke Ramsey had anything to do with his sister's murder.
There is a very conservative element of crime writers that don't recognise what I do is crime fiction.
Two people have been really liberating in my mind; one is Wittgenstein and the other is Burke. I read Burke before he was a secular saint, before everyone was reading him.
The reason some crime writers have a chip on their shoulder about the label is because their good books are shelved beside books about nuns and birdwatchers and cats who solve crimes. Overseas, my books are reviewed alongside those of authors like Robert Stone and Don DeLillo, and I have to live and die by that comparison. They don't ghettoize crime writers in other countries, and of course they shouldn't.
Story writers say that love is concerned only with young people, and the excitement and glamour of romance end at the altar. How blind they are. The best romance is inside marriage; the finest love stories come after the wedding, not before.
This site uses cookies to ensure you get the best experience. More info...
Got it!