A Quote by Lisa Unger
I don't think of my characters as people I create, I think of them more as people I have met and whom I'm exploring on the page. I don't actually think of myself as having 'created' any of these people.
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I think I have this old-fashioned idea that when you are asking people to vote for you, it is kind of like a big job interview, and you oughta tell people what you think you can do for them. I think we can create more economic opportunity. I think we can improve education, make college affordable, deal with the myriad of issues that we confront.
I think the job of a good journalist, especially in Washington, is to create discomfort, and I think for a certain class of people, and for whom life is quite comfortable, I've created discomfort. So I take that as a badge of honor.
So I think, as much as possible, I try to be open myself. I think that's probably something that falls with young people. It's not because I think young people are smarter, because I don't think they are. I think young people are quite actually stupid.
Absolutely. I think, I think the American people, at their core, are a decent people. I think that we still have prejudice in our midst, but I think that the vast majority of Americans are willing, are willing to judge people on the basis of their ideas and their character. And in the case of the presidency, I think what's most important is whether the American people think that you understand their hopes and dreams and struggles and whether they think you can actually help them achieve those hopes and dreams.
A lot of writers do think of their characters as living beings. I know that's the way people think. That's why I try to make them real in a certain way, because otherwise people won't read them. It's fine if some readers think of them as real. It's just not the way that I think of them.
I don't think I ever relinquish a person I have known, and surely not my fictional characters. I see them, I hear them, with a clarity that I would call hallucinatory if hallucination didn't mean something else ... A character whom we create can never die, any more than a friend can die ... Through [my characters] I've lived many parallel lives.
Most people think everybody feels about them much more violently than they actually do; they think other people's opinions of them swing through great arcs of approval or disapproval.
I think that people are really hungry for original content. I think there's a sense of reboots and remakes, and we're lacking in any sense of originality in media. So, I think the people who want something like this which has a graphic novel feel or comic book feel but that is designed and created for the medium of television, I think that is something is very appealing to a lot of people.
I actually think that the Russians are exploring the idea: Is it worth ending this conflict in the Donbass in eastern Ukraine, creating peace, getting out, and what would that look like? I don't think they're committed to it yet; I don't think they've made a decision one way or the other - but I think they're exploring it.
The media is running the entire left wing of America. But I think they are disgusting more and more people all over this country. I think they are just turning people off, and I don't think they yet have any idea of the damage they are doing to the Democrat Party, which is where people show their disgust with this.
I think TV companies don't take as many risks any more, it's a bit more prescriptive. There are more channels but there seems to be actually less main network channel comedy. You can't offend people as easily, people take things very seriously now. I think that's down to social media though because people can have little tribes of offence.
This may be a bit of a broad statement, but I don't think there's anyone that I've met that I haven't created a bit of a deep relationship with. It's a really lovely thing to create a relation with people that might not anticipate that closeness. And that's kind of the light of my life, getting to be close to people.
As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.
I think it's more fun to grow to love characters who are flawed than it is to present perfect characters. Perfect characters aren't very funny. Certainly my friends are a strange, intense bunch of people, and people's families drive them crazy, but challenging relationships are always more rewarding.
I think sometimes people become quite emotional about the characters as well, and that's pretty cool that you can get that emotion out of people. And I think that's more my motivation than like, "Hey I want to be the funny guy, I want to be that famous funny guy." That doesn't sit as well with me as the idea of taking people on this ride and taking them into the illusion of the characters. That's much more exciting for me.
I don't think people believe that any more, I don't think people think that it really matters whether you appreciate Henry James more than Theodore Dreiser.
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