A Quote by Lisa Unger

I've always had this in a kind of worst-case dark imagination. I want to know what the dark form in the window is. I want to know what the noise under the staircase is. — © Lisa Unger
I've always had this in a kind of worst-case dark imagination. I want to know what the dark form in the window is. I want to know what the noise under the staircase is.
I had a little radio next to the bed and I'd just listen to the top 10 - I mean, it was crap but I was young - and I would get up in the dark with the moon coming in through the window and I would just dance in my pajamas in the dark to the top 10. I didn't have a CD player... so it was kind of all I had, you know?
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
To me, a staircase looks like a series of dark and light horizontal stripes, which is exactly how you'd draw a staircase. So I know how the image is going to look on the page.
The dark is a quiet place. Reflection and contemplation are the only things to do in it. Well that, and imagine the worst things possible. I don’t have to reflect or contemplate or any of those things. I know what the worst things possible are. I know about the things that hide in the dark. Insanity is the least of them.
I know Dark Phoenix is a huge part of the X-Men saga, so I'm assuming they're at least going to want to touch on it, but I don't know and I don't know whether I would want to be involved. That depends on many different things.
It's a hard line to walk, man. Cause you know you want to make this movie, you want to make it dark and real, you want to show all this stuff but unfortunately you can't always do that.
My imagination completely controls me, and forever feeds the fire that burns with dark red light in my heart by bringing me the best dreams. I've always had a wild imagination, a big heart and a tortured soul so I feel that dark fantasy, love and horror are in my blood.
The first time I started choreographing was in the dark, in my living room, with the lights completely out, to some popular music on the radio. I put the radio on full blast and I started moving. I didn't know what it looked like. I didn't want to see it... I had to start in the dark.
You want to know something? We are still in the Dark Ages. The Dark Ages--they haven't ended yet.
I want to know what dark matter and dark energy are comprised of. They remain a mystery, a complete mystery. No one is any closer to solving the problem than when these two things were discovered.
It was a shut door, and shut doors meant things kept to yourself. There were reasons you kept things to yourself, and they usually weren’t good, happy, open-air sort of reasons. Still, I didn’t want to see behind that door. You think you want to know everything there is to know about everything there is to know. But you don’t. Not really. I had pried the lid off of the dark places of another person before, I had seen inside. Down deep. You don’t want to look at what’s rotting there.
Master, I'm afraid. I am, truly. This place scares me. At home, I know who I am, what to do. I'm the Warden's daughter, I know where I stand. But this is a dangerous place, full of pitfalls. All my life, I've known it was waiting for me, but now I'm not sure I can face it. They'll want to absorb me, make me one of them, and I won't change. I won't! I want to stay me." Jared sighed and she saw his dark gaze was fixed on the veiled window. "Claudia, you're the bravest person I know. And no one will change you. You will rule here, though it won't be easy.
my imagination persisted in sticking horrors into the dark- so I stuck my imagination into the dark instead, and let it look out at me.
I don't want dead paint, so I test many of my works by studying them in a dark room at twilight or even after dark to check the luminosity. If the darker forms still have resonance and luminosity, I know the painting's working.
I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
What I want to do now is to play a dark character. I want a role that taps into my dark side and it will be a refreshing change for me after all the comic roles.
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