A Quote by Lisa Yee
I get letters from adults saying that they love the books because they are more in-depth with characterization than the comics. The luxury of writing a whole novel is you can really explore who the characters are.
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Anyone who says that writing for children or teens is easier than writing for adults has never tried it, because they are so much more critical than adults. You cannot get anything past them.
A certain luxury when you get to writing a novel is to have the space to have your characters just banter.
We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.
I get a lot of letters that say, 'I'm a normal, down-to-earth girl. I love to cook, and I love sports.' What I also get are letters from a whole bunch of moms saying, 'My daughter is awesome,' and, 'My daughter is a great daughter.'
Comic books themselves are getting more literate. And there are people who are screenwriters and television writers and novelists who are writing for the comics, for some reason, they love doing it and some of the art work in the comics, I mean it rivals anything you'll see hanging on the walls of museums, they're illustrations more than drawings and all the people are discovering this and they're turning on to it.
I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.
Writing comics and drawing comics is a really very specific art form. It's a lot easier to get it wrong than it is to get it right.
Really good acting is not about dialogue. It's really just about small moments that really make the whole entire scene and the intention completely different than even maybe what the characters are saying. Two characters could be saying, "I hate you, and I don't want to be with you anymore!" But yet somehow, their toes are just inching more, you know, closer to each other. So a really big thing about acting is really just with your body.
When you are dealing with approximately two-plus hours every few years to do a story, you don't have the luxury of having excessive screen time to explore, in detail and in-depth, lots of other subsidiary or ancillary supporting characters.
Children make better readers than adults. They read as carefully as I write; adults read as a means of getting off to sleep. I get letters saying 'I have read your book seventeen times.' If you're an adult novelist and you get that letter, you should be afraid. You're being stalked. Kids always read them seventeen times!
In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really delve into the minutia of an alternate society and its politics; a large cast of characters to love and hate.
You have a different, much more intimate relationship with the characters in a novel than when writing a screenplay. You're able to get inside their heads in a different way. You can understand their motivations more.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
Most people are much better at saying things in letters than in conversation, and some people can write artistic, inventive letters, but when they try a poem or story or novel they become pretentious.
I always love writing the third book in a series because you get to tie up all the threads that you put out in the first two books. You finally let people know what really happens and reveal all the secrets and bring certain characters together.
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