A Quote by Lise Sarfati
I am interested in marginality, in immaturity, in naïveté, in illusion, in fictions, in transitions, in the fact that at a certain moment in life there is no limit. I would like my photography to pose a question rather than make a precise statement.
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I travel a lot. It used to be, when I would go to any country, I could guarantee that the first question would establish my name, and the fact that I've written Roots, and the third question, at least no later than the fourth question would not be a question, so much as a statement, something like, "We understand that in America white people do such and such bad things to black people."
My favorite type of photography - apart from fashion photography - is journalism, which in a way documents something that exists in a very precise moment, that didnt exist in a moment before and will not exist ever again. This has influenced my work a lot - I usually try to make my images look like they just exist, like no effort was put into it.
Truth is used to vitalize a statement rather than devitalize it. Truth implies more than a simple statement of fact. "I don't have any whiskey," may be a fact but it is not a truth.
Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
The question of love is one that cannot be evaded. Whether or not you claim to be interested in it from the moment you are alive you are bound to be concerned with love because love is not just something that happens to you: It is a certain special way of being alive. Love is in fact an intensification of life a completeness a fullness a wholeness of life.
[Photography] is always like a state of grace, like the appearance of something that I hadn't foreseen, that surprises me and stops me. If I only did what I had in mind, there would be no emotion. It would be like keeping one's eyes shut rather than open, like theorizing rather than seeing.
Remember when you were a kid, and everyone used to say, 'Would you rather be interested or interesting?' And to me, it was always like, 'Interested!' How is that even a question? I feel very lucky that I'm just really, really interested in a lot of things.
I don't know that there were any rules for documentary photography. As a matter of fact, I don't think the term was even very precise. So as far as I'm concerned, the kind of photography I did in the FSA was the kind of photography I still do today, because it is based on passionate concern for the human condition. That is the basis of all the work that I do.
There was pain, but there was also joy. It was in the tension between the two that life happened. Imperfect as it was, this world was real. Illusion was no substitute. I'd rather live a hard life of fact than a sweet life of lies.
Great photography comes about at the right time but it also needs the right cut that enhances that precise moment. Photography must feed on both contents and form, if it gives up the one for the other it is not going to last.
Dieter Dengler was an amazing man. Who knows what he would've been had he not ever been tested in this way? It's a question that I certainly have myself. What would I be able to do in certain situations? He came out, obviously, looking like a true hero, but he didn't go in looking like that. He was not your typical image of somebody that you would think would be the tough guy who was able to endure. His lighthearted attitude, this sort of dorkiness, and naivete; it ended up being the finest tool for his survival.
I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content.
Well, of course you question it, especially when you get to this point. I always look at it would I rather not make the playoffs or lose in The Finals? I don't know. I don't know. I've missed the playoffs twice. I lost in The Finals four times. I'm almost starting to be like I'd rather not even make the playoffs than to lose in The Finals. It would hurt a lot easier if I just didn't make the playoffs and I didn't have a shot at it.
Philosophically I am, or at least have been, a follower of Sartre. I am very interested in the choices we make, or don't make, in life-defining matters. That moment of 'angst' and its consequences can be such a cruel thing.
Of all the means of expression, photography is the only one that fixes a precise moment in time.
It is my experience that marriage does not make one happier. It destroys the illusion that has been the essence of one's previous existence, that there existed something like a soul-mate. The feeling of not being understood is heightened in marriage by the fact that one's entire life beforehand had the aim of finding a being who would understand one. But isn't it better to exist without such an illusion and look this great lonely truth straight in the eye?
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