A Quote by Lisel Mueller
When I was in college, I did do some writing of poetry, somewhat inspired, I think at that time, by Carl Sandburg, because English was still relatively new to me, and Sandburg, of course, wrote in a very easy-to-understand, very colloquial and informal manner.
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The American mind, unlike the English, is not formed by books, but, as Carl Sandburg once said to me, by newspapers and the Bible.
The American mind, unlike the English, is not formed by books, but, as Carl Sandburg once said to me... by newspapers and the Bible.
I was reading Carl Sandburg and Gwendolyn Brooks, and I'm still very, very deeply moved by Gwendolyn Brooks's life and her work.
As a schoolboy, I read most of Carl Sandburg's six-volume biography of Abraham Lincoln.
I wrote poetry in middle school and high school and even through college. It was bad. I just don't think I'm very good at writing poetry. I mean, the distillation, I think, is hard for me, but I love poetry.
The cruelest thing that has happened to Lincoln since he was shot by Booth was to fall into the hands of Carl Sandburg.
The worst thing to happen to Lincoln - aside from the unfortunate incident at Ford's theatre - was to fall into the hands of Carl Sandburg.
I heard someone say he [Carl Sandburg] was the kind of writer who had everything to gain and nothing to lose by being translated into another language.
The first thing I did on television was a PBS thing where I played a priest. It was a Walt Whitman or Carl Sandburg story - I can't quite remember - but I was a turn-of-the-20th-century priest kind of guy. Never saw it; don't know if I was any good or not.
When I was in college, I wrote poetry very seriously, and then once I had started writing short stories, I didn't go back to poetry, partially because I felt like I understood how incredibly difficult it was.
This is going to sound nuts but it took me forever to figure out why I'd stopped writing poetry - I mean, I went about a decade where I wrote very little poetry and I thought it was because I was doing a weekly blog. And then when we moved, I reconfigured my writing desk. The previous one had had very little space to write by hand. And suddenly, the poetry was gushing!
My prose style at this time was a stomach-twisting blend of the Bible, Carl Sandburg, H.L. Mencken, Jeffrey Farnol, Christopher Morley, Samuel Pepys, and Franklin Pierce Adams imitating Samuel Pepys. I was quite apt to throw in a "bless the mark" at any spot, and to begin a sentence with "Lord" comma.
When I started to take literature and poetry classes, I just started to get inspired by these new incredible works of art that I had never seen or heard of before. I wrote a lot of bad high-school poetry, just like pretty much everyone did, I think, at some point. For me, the inspiration never really stopped.
My chief literary influences have been Paul Laurence Dunbar, Carl Sandburg, and Walt Whitman. My favorite public figures include Jimmy Durante, Marlene Dietrich, Mary McLeod Bethune, Mrs. Franklin D. Roosevelt, Marian Anderson, and Henry Armstrong.
What I wrote all the time when I was a kid - I don't want to call it 'poetry,' because it wasn't poetry. I was not that kind of a writer. I was a rhymer. I was a fan of Dorothy Parker's, so maybe I wrote poetry to that extent, but my main focus was the humor of it, and word construction, and the slant. Your words, it's a very powerful experience.
People in Israel would write in a high register, they wouldn't write colloquial speech. I do a special take on colloquial speech. When I started writing, I thought [the language] was telling the story of this country: old people in a young nation, very religious, very conservative, very tight-assed, but also very anarchistic, very open-minded. It's all in the language, and that's one thing that doesn't translate.
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