A Quote by Lisette Model
The snapshooter’s pictures have an apparent disorder and imperfection, which is exactly their appeal and their style. The picture isn’t straight. It isn’t done well. It isn’t composed. It isn’t thought out. And out of this imbalance, and out of this not knowing, and out of this real innocence toward the medium comes an enormous vitality and expression of life.
Related Quotes
I am a pationate lover of the snapshot, because of all photographic images, it comes closest to the truth ... the snapshooter['s] pictures have an apparent disorder and imperfection which is exactly their appeal and their style.
Some people look at a picture for thirty seconds, some for years. It doesn't really matter because a picture is like life. You take out of life as much as you are able to take out of life, just as you take out of a picture as much as you can take out of a picture.
I try to teach my students style, but always as a part of life, not as ornament. Style has to come out of communicating coherent thought, not in sticking little flowers on speeches. Style and substance and a sense of life are the things literature is composed of. One must use one's own personality in relationship to life and language, of course, and everyone has such a relationship. Some people find it, some don't find it, but it's there.
One writes out of one thing only - one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.
It fascinates me that there is a variety of feeling about what I do. I'm not a premeditative photographer. I see a picture and I make it. If I had a chance, I'd be out shooting all the time. You don't have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.
The writer's only real task: to recreate out of the disorder of life that order which is art
I've always done very 'composed' music and worked-out solos. But sometimes it's fun not knowing where you're going.
I love that vision-board thing where you cut out pictures that resonate with you so they'll manifest. I've done that since I was three; I cut out pictures of ladies from the JCPenney catalog.
Often, when Jim Carrey plays it straight, all of the vitality is drained from his face; he looks like a root-canal patient trying out a pleasant expression for his oral surgeon.
I thought it would be an enormous amount of fun to make a movie that heads out into space, which is something that we had never done before.
I was in the machine. My whole life. Then the machine coughed and spat me out. So I thought, OK, if I'm out, I'm out. All the way out. I was a little angry and it was probably an immature reaction. But I got used to it.
But I thought, I've just got to check out Hollywood, so I sent out pictures and resumes.
Of course, we all inevitably work too hard, then we get burned out and have to spend the whole weekend in our pajamas, eating cereal straight out of the box and staring at the TV in a mild coma (which is the opposite of working, yes, but not exactly the same thing as pleasure).
I have always thought that the best way to find out what is right and what is not right, what should be done and what should not be done, is not to give a sermon, but to talk and discuss, and out of discussion sometimes a little bit of truth comes out.
How does life become totally painful By total retreat. Total noninspection becomes total pain.But existence is basically composed of a very few truths onto which have hung a great many artificialities and which man has adorned with enormous numbers of lies. And man is prisoner of his own shadows. Now one of the things you can do with man is to get him to look up and find out that he can look through the shadows and look at the shadows and find out what they are.
I do not care to put out any ideas for pictures. They are too valuable and can be appropriated by any art student, defrauding me out of a possible picture.
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