A Quote by Lisi Harrison
When the horse was little, Massie had covered the walls with posters of young fillies that she thought Brownie would find sexy.
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I was sad to see some of them go. Like a magic lantern that would project images on walls and people would travel the countryside with these magic lanterns and tell stories. And there was this cabinet that you would walk up to and it had a little peephole and inside the whole thing was covered in thousands of little mirrors.
Growing up, my room was covered in posters. I was like, "I want to make posters."
How little we have, I thought, between us and the waiting cold, the mystery, death--a strip of beach, a hill, a few walls of wood or stone, a little fire--and tomorrow's sun, rising and warming us, tomorrow's hope of peace and better weather . . . What if tomorrow vanished in the storm? What if time stood still? And yesterday--if once we lost our way, blundered in the storm--would we find yesterday again ahead of us, where we had thought tomorrow's sun would rise?
As a child, she’d always had what she imagined were fascinating thoughts, but didn’t ever say them. Once, as a little girl, at recess, she thought that if she ran very fast at a pole and then caught it and swung quickly around, part of her would keep going, and she would become two girls.
I find people sexy, and I find personalities fascinating and sexy and appealing and charming. So a sexy girl wrapped in a sheet is a sexy girl, and an un-sexy girl in a low-cut dress is still an un-sexy girl.
I be crazy too, little buddy, but at least when I be craziest, I be floating all alone in space and the crazy, she float out of me, she soak into the walls, and she don't come out till there be battles and little boys bump into the walls and squish out de crazy.
She's like a prisoner inside stone walls, and every day the walls get a little thicker, the doorways a little narrower.
There's a difference between sexy and hyper-sexy. The way I have drawn Vampirella, she's definitely sexy, I designed the costume. But her costume, through the years, has gotten briefer and briefer. She has been hypersexualized, but not by me. I mean, I see drawings in which she's got the 'brokeback pose'. I would never do that.
When I was a young woman, I had this friend who was really beautiful, and she would talk about how she was losing her looks, that she wasn't as pretty as she once was. She was gorgeous, and I thought, I'm going to stop this bad habit of self-criticism that I think a lot of women get into. You make a choice to be different.
I was in the South of France. I saw a Brownie on a school trip. She was holding up a book. It said on the front 'rough guide'. I thought: 'Yeah' she's not a looker.
The first time I met Mary Tyler Moore, I thought she was just beautiful, but I thought she was a little young.
You know how most kids have posters of sports heroes on their walls? They gave me reams of the old news copy, and I had those taped in my bedroom. And I would practice reading the news.
Then she would be done with J. D. Jameson forever. No more having to prove herself; no more of those pesky jitters she felt whenever she saw him at work—something like butterflies in her stomach, it was actually quite annoying; no more stress; no more fights in the library; and definitely no more sexy I’m-gonna-kiss-you-now-woman blue-eyed heated gazes. She had no idea why she just thought that.
As I presided over Massie's execution, I thought about the abuse and neglect he endured as a child in the foster care system. We failed to keep him safe, and our failure contributed to who he was as an adult. Instead of spending hundreds of millions of dollars to kill him, what if we spent that money on other foster children so that we stop producing men like Massie in the first place?
I think a woman is sexy when she's in nice clothes, flattering clothes. I don't think that being half-dressed in little half-tops... I don't find that sexy.
[There, in War Horse] very little CGI. What happened there - because the horse was running very close to the trench, we had a rider. So in few instances, we had a rider dressed in a green suit. The rider would guide the horse through the frame, and through CGI [we removed] the rider. But that's about it.
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