A Quote by Lisi Harrison

I don't like the vampire books. I don't like any of those. — © Lisi Harrison
I don't like the vampire books. I don't like any of those.
It seems like whenever a big newspaper or TV show talks about teen literature, they focus on dark books or vampire books. It's kind of this cliche. It seems like the only time adults pay attention is with that angle.
I read the books the day before I had met with the director Catherine Hardwicke. The first I heard of it was my agent called and said, 'Do you want to be in a vampire movie?' and I said 'No.' I thought it was like a zombie, blood-and-guts, vampire movie.
I really like vampire books. I might have a problem.
It's like so great to be in Toronto and to see everything that's in the books and everything they reference and to be able to hang out in those places and go to those bookstores and those comic book stores and those music stores, and like have that, from the books onto the screen, is so cool and I'm glad to have been part of that.
I, Anita Blake, scourge of the undead-the human with more vampire kills than any other vampire executioner in the country-was dating a vampire. It was poetically ironic.
I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.'
I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.
I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.
I'm not really into comfort books. There are too many of those as it is. Just sort of narcotic books, like my grandmother used to read. They have value like Paxil has value, but there's plenty of them in the world already. There's a shortage of confronting, stimulating, exciting books.
I thought about how I'd play a vampire for awhile because I grew up watching vampire films and reading books.
I like those kinds of songs that have details that you remember and that have stories that mean something and that open up into different levels philosophically. I like those kinds of movies, and I like those kinds of books.
Over the years all these vampire movies have come out and nobody looks like a vampire anymore.
'Lost Boys' is one of my all-time faves. I just thought it would be great to be a vampire. I remember this movie called 'Once Bitten,' which is about an '80s sort of power girl who became a vampire and was really, like, sexy. Hair like she was from 'Dallas,' shoulder pads, big earrings.
I had the prosthetics on, and I went to my trailer, I looked in the mirror, and I smiled. And I was, like, "This is the character - everything she does is with a smile and a bit of glee and joy." And that's how I created Darla [from Buffy The Vampire Slayer]. Prior to that, I was, like, "I have no idea how to play this 400-year-old vampire from hell!".
I like to get one pair of shoes and wear them till they're dirty. Besides, I don't walk - I glide, like butter. Float like a vampire. I'm like Louis Vuitton, but smoother. He wishes he were like me.
Lend's dad, two werewolves, and a vampire. It was like the setup to a bad joke or something. A doctor, two werewolves, and a vampire walk into a bar. "What'll you have?" the bartender asks. "We were thinking him," the vampire answers, eyeing the doctor. Okay, jokes weren't my strong point.
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