A Quote by Little Louie Vega

Dance music has evolved very much. From DJs playing at the Olympics, to playing at the Super Bowl, working with Cirque Du Soleil and even getting recognized at the Grammys with awards, dance music is growing in a big way.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
I had a few DJs in my neighbourhood that would play music in the streets. There was no hip-hop yet; there were just DJs that were playing disco, funk, and pop music, and we would gather round, go to the parks, and dance and enjoy ourselves.
The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
My dream is to put together a performance of the evolution of black music with Cirque du Soleil . I would also like to do street opera and children's books. But even as I work toward these things, I want to simplify my life.
Pride was a date night - the cool thing to do at the time - so people were dressed to the nines, and they got quite an experience, visually and otherwise. It was Cirque du Soleil meets the Super Bowl meets WrestleMania meets your favorite rock n' roll concert.
Dance music-as I keep saying, you can dance to a windshield wiper... a windshield wiper that's fairly steady gives you a beat and all you need is an out-of-tune playing 'Melancholy Baby' and you've got dance music.
Paul Hicks is the only guy The Beatles will allow to arrange, mix and engineer their music, so he did the Cirque du Soleil 'Love' show.
When you hear the music of these celebrated Dutch superstar-DJs nowadays... my God, I wouldn't even feed their music to my dog. I don't consider that to be my sort of dance music.
My first memories of music are of my mother playing Dominican music in the house because my parents love to dance. They love to throw parties and dance, so there was a lot Latin music in the house.
I love Buster Keaton. I was a big fan of the stunt shows at Universal Studios. I'm a huge Cirque du Soleil nut.
The creative brand of Cirque du Soleil is creativity.
The producers and writers of dance music are becoming the stars, not so much the DJs.
I'm definitely a fan of dance music. I guess we really call it 'dance' music because music seems to have become very functional. For years, people were trying to be everything. Now, musicians are becoming very specific.
To me, dance music is a lot of space - to listen to other things than melodies. I think club music and dance music really require a different way of listening.
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