A Quote by Little Richard

A lot of songs I sang to crowds to get their reaction. That's how I knew they'd hit. — © Little Richard
A lot of songs I sang to crowds to get their reaction. That's how I knew they'd hit.
I was writing a lot of true love songs-true love almost gone wrong but saved at the last moment...Many of the best songs get written in a state of abject misery. I prefer to write fewer songs and have less cataclysmic events in my life...Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good.
He learned through the way that my father and I felt about his songs, his country songs, that they were great songs. And then he went out and sang them for the audiences that we found, and he found a tremendous reaction to that.
I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.
I sang in church at 5. When I saw the reaction, I knew what I wanted to do with my life.
I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
I wanted to play rock and roll when I started playing. Nobody at that time ever thought about songwriting. You sang songs, that's all. You sang other people's songs. That's all there were.
There is a long history in country music of songs celebrating drinking and lamenting drinking. Country songs for the most part have always been heavily rooted in reality. The first artists were the people next door. They would sing on their porch or in their living room or at a barn dance. They sang about what they knew, and a lot of that was drinking.
Playing hockey, there were a lot of guys bigger than me, so I knew I was going to get hit and have to deal with it. Gotta hit back.
I always could hit, but fielding I had to work at. I took as much pride in fielding as hitting. I became a complete ballplayer. I knew when to take the extra base. I knew about the outfielder hitting the cutoff man. I knew when and how to bunt. I knew when to hit-and-run.
By the time I got to the Fox studio for my first major film, I knew how to hit a mark. I knew how to memorize lines. I knew how to pay attention.
I remember George Jones singing on television, but not any of the songs he sang. What I remember was my visceral reaction to him, the intensity of my distaste.
She sang a lot of songs. 'The Bear Went Over the Mountain' and things like that. But the one she was really good at singing was 'I Found a Peanut.' Now I know why she sang that so many times.
I think grief and fear are going to come to him suddenly. They'll be undiluted and words won't work. We're all going to get hit and won't know how to hit back. I wish I knew the answers, how to help myself and the people who will hurt all around me.
Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good. I agree with Jim [Lauderdale] in that I think the really good ones are songs that when you hear it [sic]...there's just something about it that touches your heart, and you don't know why.
I believe in 'Hard Livin'.' The song has a lot of potential. I sang it on the road for about a year before I put it on an album. The crowds really seemed to like it.
Then you get to be involved with all the people, meet all the beautiful girls, get all the good food, get ready and locked in before all the crowds hit.
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