A Quote by Little Simz
Sometimes I look at music as like movies. And so I feel like you can have your comedies, and you can have your dramas, and you can have your romances or whatever.
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I'll read, like, ten scripts, and then sometimes if I'm lucky, there will be two or three scripts that I like, and sometimes they'll all be dramas, or they'll all be comedies, or there will be two dramas and a comedy, and then I'll go for whatever. If I have to audition, I'll audition. If it's an offer, great.
I often envy a filmmaker or a playwright or an author where people are like, "Yeah, I sat down every night and read your book and it was beautiful." Or, "Yeah, I went to the movies and all I did was watch the movie because that's all you could do at the movies." Where with music, it's like, "Ugh, I love your music. I listen to it while I'm jogging thinking about how I hate my body." But it is also the privilege of being a musician is you can have your music in this documented form and play it live and that's, I think, what draws me to it the most.
I feel like, in acting classes, you'll get up sometimes; that's just the most vulnerable position you can be in. You're among your fellow actors, yet they look at you, and they're like, 'You've been on TV. You've been in movies.' It almost adds to the pressure.
The purpose of music is to elevate the spirit and inspire. Not to help push some product down your throat. It puts you in tune with your own existence. Sometimes you really don't know how you feel, but really good music can define how you feel... someone who's telling me where he's been that I haven't and what it's like there - somebody whose life I can feel.
Women are age-shamed. Women should they be put out to pasture. And it's not about people trying to look like me at 60. I'm not suggesting that, but look your best, feel your best, but most of all, be your best. And it's not only for women of 60. It's about women of all age, when you're 20 till you die. Whatever era you're in, whatever decade, whatever age you are, learn how to embrace it. Don't be ashamed of it. Be proud of it, because there's no negotiation. Either you get older, or you're dead. It's that simple.
I always look at that stuff as something that's not a separate entity from the music but a visual representation of the music. I feel like your external appearance should be in harmony with your internal appearance. That's mainly our approach to the visuals.
I do a play a year, or every 18 months, and you get your comedies and your dramas, but you hardly get anything that touches some kind of core in you.
I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things.
I've always wanted to do non-comedies. I've always done dramas, comedies, music, and I always like to bop around and do different things.
Literature and art are one of a number of relationships I have with the world. Like you have relationships with your friends and a relationship with your lover and your relationship with your family and your relationship with your work - sometimes it's really great; sometimes it's non-existent, sometimes it's fruitful.
You’re lost in your own world, in the things that happen there, and you’ve locked all the doors. Sometimes I look at you sleeping. I wake up and look at you and I feel closer to you when you’re like that, unguarded, than when you’re awake. When you’re awake you’re like someone with her eyes closed, watching a movie on the inside of your eyelids. I can’t reach you anymore. Once upon a time I could, but not now, and not for a long time.
When you want genuine music -- music that will come right home to you like a bad quarter, suffuse your system like strychnine whisky, go right through you like Brandreth's pills, ramify your whole constitution like the measles, and break out on your hide like the pin-feather pimples on a picked goose, -- when you want all this, just smash your piano, and invoke the glory-beaming banjo!
You can tell your uncle stuff that you could not tell your dad. That is kind of the role of an uncle. I feel very much like a father sometimes but sometimes I feel like a teammate.
Your face, my thane, is as a book where men May read strange matters. To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under't.
Here's what I'm going to have to say to all of you. If some of you have demons in your head who talk to you in profanity or whatever, don't let your demon shoot down your rock music, don't let your demon keep you off the joy bus. So like I say, Rock music pays off.
Music and time have such an interesting relationship. Music makes time fall away like almost nothing else. You hear a song from another moment of your life and it really is like you're still there. That's why the music of our youth ends up being particularly powerful. The coming of age music that you grab a hold of as the symbol or the expression of your independence and hopes for the future and anger and rebellion or whatever it is you're feeling is so powerful for the rest of your life when you hear it.
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