A Quote by Liu Cixin

In my youth, when I tried to plan for the future, I had wished to be an engineer so I could get work with technology while writing sci-fi after hours. I figured that if I got lucky, I could then turn into a full-time writer.
I'm not from a particularly sci-fi background. I'm not anti sci-fi at all, but I've never been known as a sci-fi writer and, suddenly, I was creating a flagship BBC sci-fi show, which is terrifying sometimes.
There are so many sci-fi fans and it's such a big business now. So many people love sci-fi, and they're so loyal. I would be lying if I said that the fact that I had been on a very popular sci-fi show and had some recognition in that world didn't help me get the job on another sci-fi show.
I was always like, 'No, I don't like sci-fi,' and then I started watching it and thought, I didn't know that's what it was. I think I'd somehow got it confused with action and space-travel action - that sci-fi could only be like 'Star Wars.'
I've actually found that most of my jobs have been in sci-fi. I realized it because sci-fi has the biggest fan following. Every time I do a play in London all these sci-fi fans come out. They ask me to sign things from all these little projects that I did. I hadn't even made the connection. It doesn't always have a spaceship and guns; sci-fi has been projected on in someway. I did Never Let Me Go, which is sort of Star Trek-y. It's about the future and training humans. It's sci-fi too. It's such a broad umbrella.
I learned that you can make a sci-fi film that is satisfying overseas. European people have everything in check. I'd make every sci-fi film in Europe. They only work 14 hours a day. After that, it's overtime.
I made the rules I figured I could be the one to break them. I thought I would write about xenophobia, a hatred of foreigners. After I stated writing the story there was not a foreigner to be had. I did not want to just stick one in there so I could get a title out of it since it seemed like cheating. I never figured out how I could get out of this dilemma so I just called it X and weaved X traits into the story.
At the school where I went you were able to check out instruments like you check out a library book, if your parents signed for you and vouched for you. Then after you had it for a little while you could decide if you were interested in taking lessons or you could also get your own gear. Or you could turn that instrument in for another one and try something else. So that's how I got my hands on the guitar.
I do like sci-fi. When I was a kid, I was always sort of locked into sci-fi stories. So, sci-fi has always had a special place in my heart.
And so when I moved to IBM, I moved because I thought I could apply technology. I didn't actually have to do my engineer - I was an electrical engineer, but I could apply it. And that was when I changed. And when I got there, though, I have to say, at the time, I really never felt there was a constraint about being a woman. I really did not.
If I could have had the opportunity to be a full-time fighter while I was one of the best in the world, what could I have done then?
One of my favorite sci-fi books is 'Ender's Game' by Orson Scott Card. I would recommend it to anyone who loves sci-fi. It's a perfect intro to sci-fi.
I have to say, as a young woman of color, and this may sound controversial, in sci-fi, anything is possible. In sci-fi I can belong to the military. In sci-fi I can have an interracial love affair; I can be a revolutionary.
I've done so many superhero comics, and I've actually just been really excited about sci-fi, and Chrononauts and Starlight were both sci-fi, which I had a great time doing.
I always say 300 is a sci-fi movie as much as anything. It's like that could be another planet. It doesn't have to be earth necessarily. That's like when people get so wrapped up in the politics of 300 I always go, "By the way, that's a sci-fi movie. It's not really a historical film."
While the fictional realm as such allows for the obstacles of present-day politics to be altered, neglected, and negotiated at will, sci-fi seems to embody ideals, expectations, and fears of the future that are quite adequate for describing the Palestinian predicament. Somehow managing to fuse nostalgia and hopes for a better and more efficient future, sci-fi seems to lend itself to capturing the decades of Palestinian yearning for a utopia that almost seems dated by now.
When you go to war as a boy you have a great illusion of immortality. Other people get killed; not you. . . . Then when you are badly wounded the first time you lose that illusion and you know it can happen to you. After being severely wounded two weeks before my nineteenth birthday I had a bad time until I figured out that nothing could happen to me that had not happened to all men before me. Whatever I had to do men had always done. If they had done it then I could do it too and the best thing was not to worry about it.
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