A Quote by Liu Dan

To me, watercolor is a Western medium, so when I feel like I am using a Western manner I will use English to sign my name. — © Liu Dan
To me, watercolor is a Western medium, so when I feel like I am using a Western manner I will use English to sign my name.
Typically, in Westerns, people who are in a Western feel like they're in a Western. It's almost like they know they do all these Western things.
We still insist, by and large, in thinking that we can understand China by simply drawing on Western experience, looking at it through Western eyes, using Western concepts. If you want to know why we unerringly seem to get China wrong... this is the reason.
As I have pointed out, it is the Christian tradition that is the most fundamental element in Western culture. It lies at the base not only of Western religion, but also of Western morals and Western social idealism.
I like to bring a certain sense of humanity and detail to my work, and watercolor allows me to do that. I have fascination and wonder about the line and transparent quality or properties in watercolor. I use watercolor to give voice to what I would like to talk about.
My tendency to idealize Western civilization arises from my nationalistic desire to use the West in order to reform China. But this has led me to overlook the flaws of Western culture.
The Western is as American as a film can get - there's the discovery of a frontier, the element of a showdown, revenge, and determining the best gunman. There's a certain masculinity to the Western that really appealed to me, and I've always wanted to do a Western in Hollywood.
I watched Westerns from the time I was a girl. My dad was a big Western fan. I always loved Clint Eastwood movies and Westworld, where the guy gets trapped in a western-themed amusement park. The western motif was fascinating to me.
I watched Westerns from the time I was a girl. My dad was a big Western fan. I always loved Clint Eastwood movies and 'Westworld', where the guy gets trapped in a western-themed amusement park. The western motif was fascinating to me.
It is one of the perceptual defects of Western government and press to assign Western-style motives to what people do in non-Western societies, as if these are universally relevant.
If there is such a thing as being conditioned by climate and geography, and I think there is, it is the West that has conditioned me. It has the forms and lights and colors that I respond to in nature and in art. If there is a western speech, I speak it; if there is a western character or personality, I am some variant of it; if there is a western culture in the small-c , anthropological sense, I have not escaped it. It has to have shaped me. I may even have contributed to it in minor ways, for culture is a pyramid to which each of us brings a stone.
I'm not sure if my story will become a movie. Some of my western friends sent my story to people they know in the movie industry. But one consistent response was there aren't any main western characters in my story, so it's unlikely to be made into a movie in English.
X is not my real name. But if you study history, you'll find why no Black man in the Western Hemisphere knows his real name. Some of his ancestors kidnapped our ancestors from Africa and took us into the Western Hemisphere and sold us there, and our names were stripped from us and so today we don't know who we really are. I am one of those who admit it, and so I just put X up there to keep from wearing his name.
I, like all artists in Western cultures, am a shaman...come in the guise of a comic...to heal perception by using...'jokes'.
A lot happened in Vancouver. It was my first Western experience. I learned English, which is my second language. I became very acquainted with Western culture. I had my first sewing machine when I was 9. I trained in fashion illustration when I was in school.
If some Western politician claims he is in a position to use the normal Western methods to feed and clothe 1.2 billion Chinese, we would be happily prepared to elect him president of China.
The Russians are using the tools at their disposal to weaken Western solidarity, to create doubt, to support nationalist parties, just as the old Soviets supported leftist parties. We need a united Western response to this multi-pronged threat.
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