A Quote by Liv Bruce

The snappy way I would sum it up is not everyone is queer, but everyone has felt different. And I think that is something that people can really relate to in our music. — © Liv Bruce
The snappy way I would sum it up is not everyone is queer, but everyone has felt different. And I think that is something that people can really relate to in our music.
That's always been the process of our music, in a sense, keeping it simple, not being so heavy that you are beating people over the head, it's just weighted down and it's like, "oohhh I can't relate." People are able to relate because we talked about things that everyone has experienced, it doesn't matter your race or genre. Music was your mainstay. There was something in our element of music that connected.
Felt really low as a teenager and hearing music from artists that could express their pain in a way that is beautiful and made me feel better about the way I felt and I think that is something that anyone can relate to.
I think that ultimately, when you create music that is proper music, then it becomes fundamental and anyone can relate to it or connect to it. When done properly, the language doesn't really have anything to do with it. It's actually the music as a whole. When it is speaking truth, everyone can relate to that on a fundamental level.
I think I'm a guy that can relate to everyone and is fairly close with everyone on the team and can try to help bring guys together. That's what I tried to focus on when I was in Erie and I felt everyone was a part of the team. I definitely try to lead that way; I'm not the big rah-rah guy.
I think that my music is really empowering. I just want people to know - especially young people, but really everyone - that you don't have to be so caught up in what everyone else is thinking. You don't have to be the coolest, most popular person. You can just be you and be vulnerable.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
I think that everyone who does music, and everyone who does art, or everyone who decides at a young age that they're gonna do that, is someone who feels like an outsider. The world is not really set up for that.
Everyone who passes through 'Drag Race,' and especially the people who are able to have really big careers after the show, has a responsibility to the queer community to do a good job of representing queer people across the board to be kind and loving.
I think we've all been kind of... everyone's been hurt, everyone's felt loss, everyone has exultation, everyone has a need to be loved, or to have lost love, so when you play a character, you're pulling out those little threads and turning them up a bit.
It would be great for everyone to grow up like I grew up, where everyone had a job. It would be nice for everybody. I'm the son of a "legal" immigrant. I think it would be nice for everyone to get back to work. Get rid of homelessness. People could work. I think if people give Donald Trump a chance, he'll do great.
Human beings do not relate to written words in the same way that they will relate to spoken words. They do not relate to music in the same way that they do to pictures. It's all different parts of our head, different parts of our minds processing this.
I don't think that those things [so called common practice] ever truly existed in the way that we like to believe that they do, the way we learn about them in music history class. Those things are defined at least decades after they happen. And even then, it's a fallacy because when you're in the moment, when you're in a thriving scene of musicians, inevitably everyone is going to be doing something completely different from everyone else
I think a family is the best way to open up the appeal of a show because everyone has a mother. Everyone has a father. Everyone has cousins or siblings. Everyone's trying to pursue their romantic ideals and their relationship ideals.
People go through different stages of their lives at different times. If you're out of sync with your friend group, that gets exploded once everyone starts having kids because they just have to deal with different stuff that you don't really relate to.
I think everyone has shame about something, whether it's a lack of a relationship with a child or maybe their weight or a lack of communication within their marriage. Everyone can relate to that because we all have something that we're like, 'God, I can work on that,' or, 'I wish I was better at doing this.'
My sister's a musician. Everyone else in our family, it's either academics or artists of one kind or another. And those are the people that I think I like to hang out with, too. I think, you know, they're always interesting; they lead interesting lives, and I think they're important for everyone to read about because everyone is an artist in a way.
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