A Quote by Liv Bruce
We ultimately use good art as a tool for people to contextualize themselves, and the folks in all the places we play experience it how they will. All we're doing is saying what we think. I never really wanted to be anyone's hero.
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What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
I just desperately wanted to be happy again in a way that wasn't forced. I wanted to feel like I accomplished something. I did this. I finished this record. I'm doing all the promo. I'm doing everything that I said I was going to do. I really wanted to be happy and normalized and I was tired of people saying I was volatile. I'm not. I'm a pretty normal person. I have problems like anyone else but I've worked so hard to be OK and I don't think that I gave myself enough credit for that.
I was never on a mission to be an NFL quarterback. I wanted to be a good high school player, and I worked hard at that. That made me good enough to play in college and then I wanted to be a good college quarterback. During college I played well enough to make it into the NFL. I never took it for granted and really wanted to play hard at each level and I have always had a lot of fun doing what I wanted to do.
I believe that art is a tool and that, like all tools, it has functions. I also think it is important to know what the tool is for so that we can better know how and when to use it.
It's fun having songs about parties and gigolos, but I really wanted to use my music as a form of art. Art is supposed to spark conversation and make people think, and I wanted to do that with this song.
It's fun having songs about parties and gigolos, but I really wanted to use my music as a form of art. Art is supposed to spark conversation and make people think, and I wanted to do that with this song
Growing up, my parents were my heroes in the way they conducted their lives. My dad works in child protection. As kids, our experiences shape our opinions on ourselves and the world around us and that's who we become as adults, because of that experience. He's certainly been my hero. A hero is someone who puts themselves on the line and sacrifices their own safety for the greater good and for others. And I think anyone in any sort of profession where the welfare of other people instead of individual is inspiring and important.
Those people that don't see the power in art maybe have never been a part of an art, in a real way. To experience it, and to see and witness how it affects people, we're not doing it just to create professionals. It's to add another dimension to the way that children think and the way they experience certain things. If you didn't have dance, music and singing, it just seems so odd to me.
It's been my experience that people who make proclamations about themselves are usually the opposite of what they claim to be. If someone is truly a loyal friend, then they wouldn't need to broadcast it; eventually, people will figure it out. I have a lot of good friends and not one of them has ever introduced themselves by saying, 'I'm a very good friend.'
Are you a person—with volition and maybe some stubbornness and at least the capacity if not the actual determination to do something surprising—or are you a tool? A tool just serves its user. It’s only as good as the skill of its user, and it’s not good for anything else. So if you want to accomplish something special—something more than you can do for yourself—you can’t use a tool. You have to use a person and hope the surprises will work in your favor. You have to use something that’s free to not be what you had in mind.
Probably the art, in that a lot of the people who I want to collaborate with can do something that I can't do. Like with New Bums and Donovan Quinn, he is seriously one of the greatest songwriters in terms of words that is alive right now. So I really wanted to play with him to experience that, to play music with these really great words.
I've never really had a chance to play a bad guy, and that's something I've always really, really wanted to do. I wanted to experience that really dark side of a person.
I think you get most of the most interesting work done in fields where people don't think they're doing art but are merely practicing a craft and working as good craftsmen. Being literate as a writer is good craft, is knowing your job, is knowing how to use your tools properly and not to damage the tools as you use them.
I think there are a lot more people that don't use Pinterest in the world than do use it, so for most people, that first experience is really, really important. I think feeling really close and in touch with that first user experience is pretty basic to making it better every day.
When anyone is creating anything, it has no choice but to be in that stream. The art I create and the art my colleagues create is part of it. But the question is: how long will it last in the stream? I think of it really as an enormous river, with its shores very distant from each other, and only time will tell what's going to last in the end. It seems to me that all music of our time is connected, but I never think about where I am in the river or how I would be placed by others inside of it.
When you're in a play, you never really have a sense of what an audience is experiencing. The experience of doing a play is so different from the experience of seeing it.
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