A Quote by Liv Bruce

My friend and I were talking about the band Limp Wrist, and how cool that name is, so we started bouncing other queer-punk band names off each other. The first one I thought of was The Power Bottoms, which I later shortened to Power Bottom.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
When we first started, I didn't know there was Christian rock or Christian music. I just thought we were a rock band that stuck to our convictions... Like every other hardcore band out there sang or screamed what they thought, we did the same thing.
What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.
I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.
A friend of mine introduced me to Thurston Moore because she thought I would like him. He was playing with the tallest band in the world, the Coachmen. They were sort of like Talking Heads, jangly guitar, Feelies guitar. Anyway, it was love at first sight. His band broke up that night. And we started playing.
Certain punk bands were influential because I thought, If they can do that then I can .Hanging around those bands was how I started my first band - In Praise of Lemmings.
We were friends for a year before we started playing music together. We both think it's pretty important. Tyler's my friend before he's a guy in my band, and when we talk to each other about things, it comes from a friend standpoint, not just a business standpoint.
You'll never find a Manchester band slagging off another Manchester band, but within each Manchester band, people will rip each other apart: Mondays, Smiths, New Order, Roses, Oasis.
One thing people would be surprised about is that although hard rock and heavy metal are without question 90% of what I listen to and my passion, there are other things I enjoy. My first ever favorite band in my life before KISS was a power-pop band called The Raspberries.
I thought about 'Johnny Quest' and how I loved that cartoon and what a cool name he has. I tried to come up with other names and thought 'Johnny Phantom' would be cool, a superpowered kid who was a ghostbuster.
I've always thought that "punk" wasn't really a genre. My band started in Olympia where K Records was and K Records put out music that didn't sound super loud and aggressive. And yet they were punk because they were creating culture in their own community instead of taking their cue from MTV about what was real music and what was cool. It wasn't about a certain fashion. It was about your ideology, it was about creating a community and doing it on your own and not having to rely on, kinda, "The Man" to brand you and say that you were okay.
In all cases where incidental powers are acted upon, the principal and incidental ought to be congenial with each other, and partake of a common nature. The incidental power ought to be strictly subordinate and limited to the end proposed to be obtained by the specified power. In other words, under the name of accomplishing one object which is specified, the power implied ought not to be made to embrace other objects, which are not specified in the constitution.
Power is the thing that holds a band of perception together, and a band of perception is life for those who perceive in that band. If the band of perception were to go away, they would not exist.
I have a theory that musicians recognize each other and if they are destined to collaborate together they will. Mainly, they recognize each other according to the class they belong to. If they are punk-rocker kids from the neighborhood, they are going form a band. If they happen to be musicians that are going to play in pubs and restaurants, they are going to recognize each other, form a band and play together. If it's about musicians that are playing jazz and are going to jazz festivals, for e.g., then they are going to meet and work together.
I kind of remember a friend of mine saying, like, you guys should make a rap record. You know, because we were already making punk records. We were a punk band. And I kind of thought, that's crazy.
A lot of people ask how I ended up doing classical music given that I'm in a rock band. The truth is that it's the other way around. I was trained as a classical musician and then started playing in a rock band later.
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