A Quote by Liv Tyler
Every time I go to work, I feel like it's the first time; I feel terrified and excited and exhilarated and like a deer in the headlights. I think: how do I do this? And then it just happens. Like riding a bike, you know?
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I don't roam around with a camera and never did. I took pictures in spurts, for my books, for some assignments or on special occasions. Like people who take out their cameras for Christmas and birthdays. Each time, like them, probably, I feel it’s the first time and as if I would have to relearn the moves. Luckily, it comes pretty fast, like riding a bike.
I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard; it doesn't get easier, but that's why I love it: because it's a challenge every time. I also feel like I'm learning new ways.
I feel like everything in my life has somehow just fallen into perfect place at the perfect time. I don't know how it happened. It's always like right at the point of my life about to fall apart, and then something amazing happens. I don't know how, but it happens.
I feel with writing, so much of the time, I don't know how to tap in and be spontaneous and alive on a daily basis. So I don't write every day. I'm just not disciplined, and I can't be in the groove most of the time. I feel like I'm in the groove ten days a year or something. But with reading and research, I feel like I have this incredibly instinctive pleasure-driven process that ends up working out for me and inspiring me. It's almost like a maze, like I know eventually I'll hit the heart of my play if I read enough books.
The first noticeable thing to me about falling in love for the first time is how physical it is. But I've had it a couple times, so it's not just the first time, which is actually encouraging. It's just you feel like you're being ripped in half and it hurts in the best way. And it's like this dropping pole that also floats and it burns and it's cold. It's like just all every contradictory feeling at once imploding.
Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.
Venues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening.
I feel like every time I start up, it's like a truck you have to get into 15th gear, so you very solely crank into that mental space where you feel really immersed in the world of the book and then you can just kind of go.
I feel like every time I start up, it's like a truck you have to get into 15th gear, so you very solely crank into that mental space where you feel really immersed in the world of the book and then you can just kind of go. But there's just that few days of frustration to get to that point.
I feel like I'm just pretty - any time I have, like, a lot of emotions happening at one time, I just - everything gets really, like, muddy. Like, I feel just, like, in a haze or something.
A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.
I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard. It doesn't get easier, but that's why I love it: because it's a challenge every time.
I felt like, for so many years - and I still even feel it - as a girl, you can't really expect to go on stage and dress like a boy and jump around and scream with the audience and mosh and stuff, and every time that happens, I feel really proud.
Every time I think that I've pierced through the simulation, every time I feel like I've written something authentic, it feels like I then sort of lose my footing with it.
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
Like riding a bike for the first time, sometimes you just have to go for it. If you keep looking forwards and maintain your momentum, it will probably go well. But if you start to doubt yourself and look back, you are more likely to suffer a major wobble followed by a crash.
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