A Quote by Liz Cambage
A lot of my life is just - a lot of my life I've just felt like a piece of meat. No one actually really cares, they only care if you're playing.
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When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.
When I was on the 'Knock Madness' tour, I was just thinking about life; I started questioning God. I was praying a lot. I was just really emotional. I was going through a break up situation as well. And I just felt like I needed to be home. I was over the rap thing. I just felt like I wasn't getting the respect and credit that I deserve.
I don't really care what's going on I just care about getting my job done the best that I can possibly do and deal with the other things in my life that take a lot of time and a lot of thought.
My favorite part about being a father is playing toys with them, or watching movies with them, really just playing around with them. They bring a lot of joy in to my life, even when I'm having a bad day. Just to come home and see them smiling brings so much joy to my life.
I feel like it's just so important for child and teenage development to have music in your life, honestly. And I just think it's really, really, really rewarding to me, personally, just emotionally, to know that I might have brought that into someone's life. And that just means a lot to me, because I know how important it can be.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.
My job - and it's really true - is that it's constantly evolving and changing. When I was doing the Chet Baker movie I was obsessed with playing the trumpet, and to my absolute shock I haven't picked the trumpet up since we wrapped. It was so much work. I thought I was going to keep playing the rest of my life, 'cause it was fun, it's just a lot of work. And it's a really unique job that exposes you to a lot.
I'd been sick on tour for about two years with this medical anomaly that doctors couldn't figure out. That's a big part of my life: I just feel really sick a lot of the time and can't figure out why. I'd gotten these shots in Russia, where we'd just been. It was just heavy. It's just heavy performing for people who really care about you, and you don't really care that much about yourself sometimes.
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
I really like to absorb the project and watch it and work on the music a lot and just get the feel for it until eventually a moment comes where I know I've got it. A lot of it is trial and error. Some days a piece of music doesn't work then other day another piece of music finally says something and works with the picture and suddenly casts a light on all the other stuff you've done - probably because my mind is getting to understand it and the piece is educating me. I always feel like the score is in there already somewhere and I just have to channel it and accent it.
I'm a diehard animal lover - I've always loved animals - but it was just one of those trips that I felt like I was going back to the beginning of where earth started. At the time, where a lot of stuff was brewing anyway, to be in such a beautiful and barren land, and just looking at how life began with all these creatures, I just started to really think about animals and time and just all of it.
Mainly, the more faddish and newer stages of life are really just marketing schemes. Tweenhood. The young old. The quarter-life crisis. You can sell a lot of junk to a lot of people by inventing a stage of life and giving it a name.
Steakhouses serve these big steaks. The first piece is hot, and the last piece is cold. The way I like to eat is to try three or four cuts of meat. People should actually be eating less meat, and the meat they eat should be special.
I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes
We made this really dumb decision to put on the cover nothing from South Park but just a real life photo of a piece of pooh dressed up like Mr. Hankey, and a lot of people didn't, they didn't even know what it was.
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