A Quote by Liz Cambage

Milkshake' was my theme song as soon as it came out. I think I was 13. I just love Kelis. Full stop. — © Liz Cambage
Milkshake' was my theme song as soon as it came out. I think I was 13. I just love Kelis. Full stop.
I remember when that Kelis song 'Milkshake' came out, and just how extreme it seemed in terms of that really high triangle part and then the really low subs and then her voice in the middle.
Then a friend of Jim's suggested we make a theme song to explain the story, and this is where the Mads came from. Josh and I wrote it into the theme song.
I would love to do a Bond song, and I could have done a Bond song: I was offered a Bond theme, but I turned it down because I didn't like the song. But as it turned out, I was right anyway because the song was the only Bond theme that never became a hit, so I'm glad I wasn't associated with that!
When 'Quadrophenia' came out, I turned on to that because of the whole story with it, and there were just some really amazing songs on there. 'Love Reign' being the quintessential song on that record, I think. That was always one of the cornerstones of my temple, that song.
You know...sometimes I'll be looking out at the audience and I'll be in the middle of a song, and I'll just stop dead. I'll look out at them, and think what is this... There's one thing that keeps me doing it though, I really love it, I believe in it.
In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.
The whole Beatle thing was just beyond comprehension. When 'Help' came out, I was actually crying out for help. Most people think it's just a fast rock 'n roll song. I didn't realize it at the time; I just wrote the song because I was commissioned to write it for the movie. But later, I knew I really was crying out for help.
As a boy I was a hermit crab, but I soon came out of my shell. Now I am a pincer crab, and soon I will be at my full power as a deadly nuclear lobster.
If you have a milkshake and I have a milkshake, and I have a straw and my straw reaches across the room and starts to drink your milkshake... I drink your milkshake! I drink it up!
I don't think about, "How does this song that has more of an electronic mix prefix to a song that has a full orchestra next to a song that has other things?" I just work on it as-needed.
'Unbreakable Smile' was based off one of the songs I wrote for the album - it was actually the first song I wrote for the album without realizing it yet. I think I wanted to name the album that because it seemed like that was just the theme of that chapter in my life and just the theme of all the songs put together.
When I'm writing a theme song for a TV show I always think, "What would be Pavlovian where a kid would be in the kitchen, or an adult would be in the kitchen, and they hear the theme song come on and it would draw them back to the other room so that they would watch the show?"
Mine to the core of the heart, my beauty! Mine, all mine, and for love, not duty: Love given willingly, full and free, Love for love's sake - as mine to thee. Duty's a slave that keeps the keys, But Love, the master, goes in and out Of his goodly chambers with song and shout, Just as he please - just as he please.
Every time I tried to tell you the words just came out wrong, so I'll have to say I love you in a song.
Democracy is the eagle on the back of a dollar bill, with 13 arrows in one claw, 13 leaves on a branch, 13 tail feathers, and 13 stars over its head - this signifies that when the white man came to this country, it was bad luck for the Indians, bad luck for the trees, bad luck for the wildlife, and lights out for the American eagle.
I sort of fell in love with the idea that we all love things that we're not supposed to, and that, often, that love is also 'tainted.' I wrapped it in sort of a graphic novel theme, and out of that came 'Tainted Love.'
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