A Quote by Liz Carmouche
I think that my story is similar to most women in MMA. You balance work and your fight career. You climb up the ranks just to get into a situation where it can give back to you financially.
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I prayed the monsters would give up. Or that perhaps Philip of Macedonia would climb back to the terrace (do crocodiles climb?) and renew the fight.
Most women who work and have a career and a family sympathise with one another because they know just how difficult it is to try and manage it all and sometimes if the pressure's too great and you can't manage something has to give and it's either your career or your family.
When you’re confronted by a really difficult thing in your life, you’re faced with a choice: you can runaway from it, or you can face it, confront it, and work through it. But to work through it, sometimes feels like holding your own head below water when you’re already drowning. Your natural instinct when drowning is to get back up to the surface and give yourself some relief from that terrible situation…you just want to breathe again.
MMA is not one of those up and down basketball seasons where you have a ton of games and you can still make the playoffs. It doesn't work like that in MMA. You get a couple losses, you get washed up, you get the door slammed behind you and they bring in the next person behind you who is here to take your place.
The traditional metaphor for careers is a ladder, but I no longer think that metaphor holds. It just doesn’t make sense in a less hierarchical world... Build your skills, not your resume. Evaluate what you can do, not the title they’re going to give you. Do real work. Take a sales quota, a line role, an ops job. Don’t plan too much, and don’t expect a direct climb. If I had mapped out my career when I was sitting where you are, I would have missed my career.
When faced with a situation, the confidence you stand up to that situation with usually pushes the other person to back down because the guy that is trying to start the fight doesn't really want to fight. He just wants a scene.
Once you get on stage, everything is right. I feel the most beautiful, complete, fulfilled. I think that's why, in the case of noncompromising career women, parts of our personal lives don't work out. One person can't give you the feeling that thousands of people give you.
As a musician-turned-actor, you ordinarily face one of two scenarios. Either all the pressure of success or failure is on your shoulders, so if the picture does poorly, you might never get another movie role, or you have a situation where you already have an anchor, which allows you to work your way up the ranks.
A climb-out fight is where you climb a building. You climb fire escapes. You climb to the top of the building. You fight on the roof, and you fight all the way down again.
Where I'm focused now is how I get more women leaders. We decided not to just look outside the company for great women to hire, but to help women rise up through the ranks internally.
You have to be prepared to give creative work 150%. I hear a lot of young people talking about life/work balance, which I think is great when you’re in your 30s. If you’re in your 20s and already talking about that, I don’t think you will achieve your goals. If you really want to build a powerful career, and make an impact, then you have to be prepared to put in blood, sweat, and tears.
MMA's not like a game like basketball, for example, that if you're winning by 30, 40 points and there's just five minutes left, you can do whatever you want because the guy isn't going to beat you. In MMA, you can get beaten in the last minute of the fight, or the last second of the fight, so sometimes you've got to be safe.
Every single woman that fights MMA has done just as much work as Ronda has; we just haven't gotten as much turnaround. Those women who came before her haven't been on magazine covers. They weren't plastered everywhere by the UFC. They didn't get the same reward back.
All I ever hoped for was freedom of choice and to not have to just do work because I needed to pay the bills. If you can, weave your way into a studio in a situation where it's supportive of the other work you wanna do. Also, there is caliber and weight in studio films, and I think the ideal is to get that balance right: Do a studio film, go away and do something that is smaller.
For the most part, I meet people who are like 'I really like your work. I'm watching your career. I want to see you do well. Keep doing what you do.' I get that so much, and it's so reassuring. I often wish that so many people, who just work normal jobs, could get a pat on the back as much as I do, because it's very complimentary.
Women, I think we can feel like we need to do it all and be it all. What's important is that we do the best we can, and just make time for yourself because when you do make time for yourself, you give back more as a mother; you give back more to your work.
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