A Quote by Liz Carmouche

It went from 'I was a nobody on the street, just another person.' It turned into something completely different. People were coming up to me, they knew who I was us, requesting pictures.
So slowly in my mind formed the idea of melodrama, a form I found to perfection in American pictures. They were naive, they were that something completely different. They were completely Art-less.
The Beatles were in a different stratosphere, a different planet to the rest of us. All I know is when I heard 'Love Me Do' on the radio, I remember walking down the street and knowing my life was going to be completely different now the Beatles were in it.
I've changed my music from time to time so I'm hoping that I can completely change my life from time to time, too. Like live in another land, in another place, and just get completely soaked up in another way of being. Could be in this country or another country, somewhere were you can be reborn a number of times not just creatively, but personally as well. I guess I want to go through life as more than one person.
We knew we were different, even from our elementary school days. We were the class clowns; we engaged with people differently. We knew there was something out there that was meant for us.
I couldn't find any good pictures in magazines of ordinary modern street corners in America, so I persuaded this guy I knew in Sacramento - Stanley Something-or-other - to spend a day with me driving around just to take snapshots.
Nobody ever asked me to do anything. Nobody knew what to do. When comics were brand new, nobody knew what kind of comics to make. So you were mostly on your own.
When I started out playing live, it was different. I felt good about it. Nobody knew who I was. I just opened for so-and-so. Now, I'm playing to people who are coming out to see the band. There's too much attention on the band and me.
Sometimes people will request a song I haven't played in a while and I'll play it and singing the lyrics will mean something different to me as a 35 year-old person than they did when I was 25. I know I'm still that person who wrote it and thought I knew what I meant when I was writing them. They meant something very exact to me in that time of my life. But it's really cool when those same lyrics can transform into something else and mean something entirely different to me.
People in England were coming up to me, saying, My mother and father turned me on to your music. This happened to me 20 years ago. When I was 40 they were saying that.
I knew we needed a weapon to break through to the US market, and it had to be something different, something that nobody else was making.
I remember finishing a monologue, looking up, and seeing people really moved and then being like, 'Oh, my imagination just took me somewhere completely different.' That was the moment I knew that this is what I wanted to do.
Justice. To be ever ready to admit that another person is something quite different from what we read when he is there (or when we think about him). Or rather, to read in him that he is certainly something different, perhaps something completely different from what we read in him. Every being cries out silently to be read differently.
I knew so many people were coming up to me because they knew who I was, not because they were fans of my music. That bothered me because I don't want to be a celebrity; I want to be an artist.
Nobody taught me my slider. I mean, if you look at my grip, I don't think anyone has the same grip as I do. It's a separate grip. I hold it kind of weird and everything. When I started throwing it, I just wanted to start throwing something different and came up with that. I turned it a little bit.
When I was just starting out, I met Cartier-Bresson. He wasn't young in age but, in his mind, he was the youngest person I'd ever met. He told me it was necessary to trust my instincts, be inside my work, and set aside my ego. In the end, my photography turned out very different to his, but I believe we were coming from the same place.
But what I realized when I was looking back at them was that no matter how different they are, they're still coming from me, and they're still coming from my brain and my set of obsessions. I think that no matter how different I tried to make them, there were just these certain questions that I just kept circling back to as I was writing. I think they were the ones I was really swept up in in that decade.
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