A Quote by Liz Garbus
Every film I make I feel like I am getting a mini-masters degree, it's a wonderful life path and you get to immerse yourself in an intriguing world for a couple of years.
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Getting to play the part of Selena was life-changing for me, i got to immerse myself in her life, got to know her family, her home, her culture ... every part of her story. It was a special time in my life both professionally and personally. Playing her not only opened doors for me in the film world, but it inspired me to start my own music career. In a lot of ways, I wouldn't be where I am today if I hadn't had that experience.
I lived in Atlanta for a couple of years while getting my masters at Georgia State. I thought I hated it at the time, but I've been back a couple of times since, and there's no place I've lived to which returning is so much like visiting a place I only remember from my dreams.
To live every day as if it had been stolen from death, that is how I would like to live. To feel the joy of life, as Eve felt the joy of life. To separate oneself from the burden, the angst, the anguish that we all encounter every day. To say I am alive, I am wonderful, I am. I am. That is something to aspire to.
I feel stronger, but physically I feel like I'm falling apart. Every day I get a new pain or ache and think, 'Oh, that will be a hip replacement in a couple of years'.
The way I work is I like to immerse myself in the world of the film and in the character's lives, and then from that, I get a lot of ideas of how the film could be made, how it could be told.
In Sweden for example people with PhDs have lower mortality than those with a masters degree. And people with a masters degree or a professional degree are not poor.
Sometimes you wake up with mini panic attacks where you feel like 'Oh my God! I don't have a film right now! Should I just do something that comes my way because I don't have another film?' But I feel at the end of the day, your gut takes over.
I appreciate it if I make a Chinese film. And if there is an opportunity to make a Hollywood film, I will take it - especially because, as you probably know, in Hollywood, even today, there are not a lot of big roles for Asian performers. So it is a great opportunity. It is possible to make films that people everywhere enjoy. I travel quite a lot. I don't really feel like when I am in China, I am a Chinese person and when I'm here, I'm a foreigner. I don't feel that kind of difference anymore. In the past I did. Not anymore. I feel quite at home everywhere. The whole world is my home.
I consider theater, this is a vacation for me from LA, I sort of view this as I get to have this vacation and during my vacation I get to work on acting. It's like an acting class. And if I go too long without doing a play, I just feel empty. Like approaching a role, I feel like the pool is very shallow, like I'm drawn from it. So I need to come back and do a play, fortunately I've been able to, every couple of years.
[After Easy Rider] I couldn't get another movie, so I lived in Mexico City for a couple of years. I lived in Paris for a couple of years. I didn't take any photographs, and then I went to Japan and saw a Nikon used. I bought it, and I just started, like an alcoholic. I shot 300 rolls of film. That was the beginning of me starting again.
[On yoga] Once you've completed a wonderful class, you get a sense of the deepest, purest part of yourself. You feel like you are connected to everybody else in the world.
I did a film, 'X+Y', in which I played somebody on the autistic spectrum. It's a subject I didn't know very much about, but being an actor gives yourself the opportunity to really immerse yourself in that world and learn things. It's one of the great things about what I do.
You always feel a degree of insecurity about getting through a film.
I love entertaining people; I strive to make them feel good, and they make me feel wonderful. To explain it simply, I like what I do, and my ambition is to get better as I get older. That's really what I'm all about.
If you're going to immerse yourself in a project for three years, why not stake out a chunk of the world that is completely alien to you and go traveling?
Some dudes get stubborn and get characterized as, you know, you getting a couple of dollars, selling a couple records, your flow is alright and the people got you gassed, and then you start putting yourself in a bubble and you don't want to blend in with the new and what's going on.
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