A Quote by Liz Goldwyn

If fashion has a political significance, it is probably culturally, as a camouflage. — © Liz Goldwyn
If fashion has a political significance, it is probably culturally, as a camouflage.
I see fashion as a proclamation or manifestation of identity, so, as long as identities are important, fashion will continue to be important. The link between fashion and identity begins to get real interesting, however, in the case of people who don't fall clearly into a culturally-recognized identity.
A joke is a good camouflage. Next best comes sentiment... But the best camouflage of all - in my opinion - is the plain and simple truth. Because nobody ever believes it.
Even a purely moral act that has no hope of any immediate and visible political effect can gradually and indirectly, over time, gain in political significance.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
Every Jewish holiday has a religious significance, a historical significance, and a relevance to the time of year in the natural calendar of the seasons and trees and growing things, as well as a personal significance. So you are always looking backward, outward, inward and forward.
Fashion is totally political, the icon of a political system.
The aggressive, energised, political, or even politicised, culturally aware music hasn't really existed [recently].
Political realism is aware of the moral significance of political action. It is also aware of the ineluctable tension between the moral command and the requirements of successful political action. And it is unwilling to gloss over and obliterate that tension and thus to obfuscate both the moral and the political issue by making it appear as though the stark facts of politics were morally more satisfying than they actually are, and the moral law less exacting than it actually is.
I think anyone who suffers from chronic pain can agree with this - you feel this great significance. What I wanted to capture was that significance, and as a matter of fact I think that's one of the lyrics on 'Conflict,' on the split. I touch on the significance, and really it's a selfish thing, in an offbeat way.
My basic political posture is "what a shame the human race did this to earth." What we have done environmentally, politically, culturally.
Fashion has come a long way to embrace different body shapes, ethnicities, even looks. I find it an exciting time culturally for these reasons. Women are really coming into their own.
I'm culturally Jewish but, like most scientists, an atheist: I don't believe there's a God or supernatural world. Buddhism offers guidance on what to do in a world without God: It opines that truly being present in the world‚ experiencing and hanging out with your loved ones, provides all the significance you could want.
Trends in culture all serve a purpose and that's always indicative in fashion and music, you can always tell what's going on culturally in the mindset of the young generation if you look at those mediums.
Schiaparelli’s collaborations with Dali and Cocteau as well as Prada’s Fondazione Prada push art and fashion ever closer, in a direct, synergistic, and culturally redefining relationship.
Political and social events must also be effective, but not in a very obvious fashion. But political confusion and prolonged peace undoubtedly affect creative thought but whether they respectively hinder or help it is not at all certain.
I jumped off a bridge in Italy, is that culturally insensitive? Is saying 'mamma mia' culturally insensitive?
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