A Quote by Liz Mitchell

There has not been enough clarity over the years in terms of who did what in Boney M but fortunately Frank Farian has since stated that all members of the group could have been replaced except for me. And I like to think that when it comes to the music Liz Mitchell is the sound of Boney M.
Frank Farian and me are the sound of Boney M.
It is true that Boney M was a group put together by a German producer, Frank Farian. But it is not true that all of us were mimics.
I had been choreographing and dancing for a good 12 years before I did 'Que Sera Sera' for Boney Kapoor. I did it for two reasons - one, I shared a good rapport with Boney, and the more important reason, Madhuri Dixit.
I have been working with the Kapoor family for a long time. Films flop and relations deteriorate. That has not happened with me, in spite of giving the Kapoors 'Prem.' I have been lucky with them, whether Surinder, Boney, Anil or Sanjay. I think I should change my surname to Satish Kapoor!
Koopsta Knicca, Gangsta Boo, Lord Infamous and Crunchy [Black]. The name of the group is Da Mafia 6iX. So like I said we can't consider it a Three 6 Mafia reunion without all the members of the [group] being in it so we'll just say that it's a reunion of members of the Mafia that created a totally new group called Da Mafia 6iX. [Fans] are going crazy about it on Twitter, they happy as hell, they've been waiting on this for years, some of these members have been gone since 2000, you know, it's 2013.
I listen to terrible music when exercising. I mean, like, early Madonna, Boney M, the Fratellis, Shakira... I can't claim interesting musical taste.
Groups do not have experiences except insofar as all their members do. And there are no experiences... that all the members of a scientific community must share in the course of a [scientific] revolution. Revolutions should be described not in terms of group experience but in terms of the varied experiences of individual group members. Indeed, that variety itself turns out to play an essential role in the evolution of scientific knowledge.
No one controlled Frank Sinatra or told him how to sing. No secret group of managers has been telling someone like Jay-Z what to do or how to look. And no one tells me what to do except me and the people who believe in me.
He said he don't like em boney, he want something he can grab
Once we realized what happened to Boney M., we wanted to come to the States. In Europe, artists just don't have the same protection they do over here.
In specific terms I don't think I could make any suggestions, but in general terms I believe that it is because Canadians have been under the good influences of their churches that they are a tolerant people, an understanding and patient people, so that there has been little backlash against the excesses which have happened over the decades in French and in English Canada which might turn either group off.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
If you want to pay your money to see Boney M, you've got to have me on stage.
My monetary studies have led me to the conclusion that central banks could profitably be replaced by computers geared to provide a steady rate of growth in the quantity of money. Fortunately for me personally, and for a select group of fellow economists, that conclusion has had no practical impact… else there would have been no Central Bank of Sweden to have established the award [Nobel Prize] I am honoured to receive.
It's been over 15 years since I toured... over 12 years since I did any recording under my own name. I never really intended to take that long of a hiatus.
Since I first fell in love with choral music when I was 18 and began composing at 21, I've been listening to these recordings of British choirs. I just fell in love with that sound - that pure, clean, pristine sound - and I think it's probably been the biggest influence on my sound.
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