A Quote by Liz Mitchell

In the late eighties, we decided to rework the 1979 hit 'El Lute' and name it 'Mandela.' — © Liz Mitchell
In the late eighties, we decided to rework the 1979 hit 'El Lute' and name it 'Mandela.'
Superman's original name was Kal-El, or Swift God. His father's name was Jor-El. Superman was clearly drawn as a modern-day god.
In working on a drawing or a painting, one can rework and rework and rework and change ideas until you get it the way you think is right at that time. With clay that's not possible. You either succeed the first time, or you should wad it up and start over again, because you can't mess around with the clay and still have it fresh.
I am particularly fond of the late President Nelson Mandela. His speeches and courage changed my life and how I see myself. Mandela changed minds, changed lives, and changed the world.
El mundo habrá acabado de joderse -dijo entonces- el día en que los hombres viajen en primera clase y la literatura en el vagón de carga.
In 1979, Magic Johnson and Larry Bird entered the league. I remember that. Soon after this, the story began to be repeated ad nauseam: the NBA, a tottering mess in the seventies, was saved in the eighties by these two.
'Dallas' hit a chord back in the late Seventies and Eighties because it was the age of greed: here you have this unapologetic character who is mean and nasty and ruthless and does it all with an evil grin. I think people related to JR back then because we all have someone we know exactly like him. Everyone in the world knows a JR.
In the the late seventies and early eighties, I played background roles in thirty movies... Woody Allen movies, Scorsese films, you name it. Whatever was being shot in New York, I was doing stand-in and background work because I wanted to be close to the camera; I wanted to see what was going on.
'El Gordo' is the name given to the oldest lottery jackpot in the world - and the richest. Held every year in Madrid on December 22, the Christmas Lottery culminates with the picking of the El Gordo number, the Fat One, which, for many, has become the true Christmas miracle in Spain.
When you are accompanied by the instrument - on an instrument like the lute-the lute and voice - you have this sound, and you feel how the music can be so touching and yet so simple.
"eL Seed" was inspired by the French play Le Cid by Pierre Corneille. It was seeing "Le Cid" coming from the Arabic name "el sayed," which means "the master, the man." So I called myself like that because I was 16; I said, "Yes, I'm the man." That's how it started.
When I graduated, I was going to go to school for law, but had such an affinity for hip-hop. It was like walking into a casino and I decided to bet everything on hip-hop, and I hit! My hit wasn't just a hit for me, it was a hit for everyone in this culture.
Utiliza el nombre correcto para las cosas. El miedo a un nombre aumenta el miedo a la cosa que se nombra.
Of course, Nelson Mandela, everybody knows Nelson Mandela. I mean, he's a great gift not only for Africa but for the whole world, actually. But do not expect everybody to be a Nelson Mandela.
Well I directed a few feature length things for HBO in the late eighties.
I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.
I knelt and opened up my lute case. Moving the lute aside, I pressed the lid of the secret compartment and twisted it open. I slid Threpe's sealed letter inside, where it joined the hollow horn with Nina's drawing and a small sack of dried apple I had stowed there. There was nothing special about the dried apple, but in my opinion if you have a secret compartment in your lute case and don't use it to hide things, there is something terribly, terribly wrong with you.
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