A Quote by Liz Phair
My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly.
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I was attacked the other night for being grandiose. I would just want you to note: Lincoln standing at Council Bluffs was grandiose. The Wright Brothers standing at Kitty Hawk were grandiose. John F. Kennedy was grandiose. I accept the charge that I am grandiose and that Americans are instinctively grandiose.
And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people's consciousness by the power of that explosion.
For me, social media is a one-way deal. It's like all the traffic goes one direction and I don't care how many people follow me, I don't care how many people like what I do, give me a thumbs up or whatever it is. I am here to share a piece of information that I've decided is relevant to our relationship as musician and audience member.
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
To be in Boston, which is a great city and which is full of many colleges and young kids, and to be around that many people that were at the same point in their lives, who played guitar or whatever instrument - it was just perfect. It was a great environment.
The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how its being played - literally what the expression is, what the meaning is, what the direction of the music is.
Whatever social network that comes along, whether it be Twitter, Facebook, Instagram, Snapchat, whatever it is, I'll use it in a creative sense to push the vision and explore the possibilities of the relationship between humans and technology.
I actually think that bass is probably the instrument that has evolved in a quantum leap compared to other instruments. It's the instrument that's evolved the most, especially with how it's perceived. And even how it's played, and how it's viewed from a point of view of commerce, like with the music industry.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
Hollywood is a land of style, a world where how you present yourself matters. Many of the people working here are so dramatically good-looking - that is their style. That's not me, and I know that.
If you're differently-abled, if you're a person of color, if you express your identity in a way that's different from the norm, for whatever reason, there's an implicit bias where people, frankly, sometimes take you less seriously.
It's funny how I use social media because I don't use it to promote my restaurants that much. I use it for social issues and I think that's what it's for. I do a few things - I mess around with music a lot because that's a passion of mine. If something strikes me and I want to share it, I do.
It was also important for me to have a burning desire to achieve something worthwhile on that instrument, and I devoted many many many hours with little or no compensation to perfecting whatever I could, because I loved it so much.
Being on the Reebok brand for eight years now, I understand where their focus is and who they cater their on-court and off-court shoes towards. Right now, it's basically the movement. There's a new retro- it's in style, it's hot and again it's all about comfort. Comfort for me is everything. I've played many and many of basketball games and so now when I'm off the court, I still want to put something on that's comfortable but still be able to have the style of a basketball-type shoe.
I played the vina until my heart turned into the same instrument. Then I offered this instrument to the Divine Musician, the only muscian existing. Since then I have become His flute, and when He chooses He plays His music. The people give me credit for this music which, in reality, is not due to me, but to the Musician who plays his own instrument.
It's not a matter of how much you know or can define, or how many millions of mantras or thousands of prostrations you have done, or how many months of wangs you've attended. The important thing is whether or not the mind is really changing, whether our negative emotions are really coming under control, whether we are really beginning to understand ourselves, whether our mind is really improving, and whether in our hearts there is genuine love and caring for other people.
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