A Quote by Liz Phair

I'm competitive, so I don't like to feel marginalized by the people who sell a lot of records. — © Liz Phair
I'm competitive, so I don't like to feel marginalized by the people who sell a lot of records.
We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.
We made records to document ourselves, not to sell a lot of records. I still feel that way. I put out a record because I think it's beautiful, not necessarily commercial.
I don't feel anything about it. I really like "Staring at the Sun" - I like that song a lot. I haven't heard a lot of their records, but I know that they're cool. I know that the people who listen to them are really awesome and I like those people, so I know that I would like the band, I just don't own their records.
I feel like I'm the most competitive driver in the motorhome lot. No matter what it is - whether we're racing, playing another sport or deciding who can run to that sign and back faster - I feel like I'm the most competitive person alive.
I don't sell millions of records. As a matter of fact, I'm not even interested in selling millions of records. I enjoy MCing. I make a decent amount of money. I can feed my kids. I keep a roof over my head. I don't have to sell a million records to maintain my lifestyle.
I need to reach a lot of people to sell records.
You can sell millions of records, be showered with all this love and admiration and still feel despised and unwanted. That's what I felt. I've made a lot of mistakes I'm not proud of.
I didn't want to do a double album. I just felt like the last two records I made were like that, and a lot of records I was buying were like that, and it started to feel like it was too much music to digest at once.
I have a lot of analog. I think a lot of people do. There are a lot of people that are re-discovering it. I still have a lot of my old records from back in the day. It's a joy to play things like Junior Wells' 'Hoodoo Man Blues,' and John Mayall & The Blues Breakers with Eric Clapton. There's a warmth that you can still feel.
Obviously there was the idea that we could sell more records if we played live, but I guess I didn't care enough to sell more records to do that.
You have a lot of young people who still feel somewhat marginalized, even if they do vote for Hillary Clinton.
I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.
There are a lot of musicians who are still desperately trying to pretend that it's 1998 and by having a huge marketing campaign, they somehow believe that they can sell 10 million records. That's delusional. No one sells 10 million records. The days of musicians getting rich off of selling records are done.
Being in this game if you are gonna sell drugs and make records too then as many records you make is gonna be as many people that know you sell drugs. We got the hip hop cops listening now.
God works funny so it might have just been meant for me to be an artist that doesn't sell two million records. Maybe my records might change somebody's life rather than sell thru the roof.
People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
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