A Quote by Liz Phair
There's nothing wrong at all with women wanting to be women.
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I've always loved independent women, outspoken women, eccentric women, funny women, flawed women. When someone says about a woman, 'I'm sorry, that's just wrong,' I tend to think she must be doing something right.
One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
What's surprising to me now is that now that I'm talking to a lot of women about this, so many women are doing this. Straight women, lesbian women, bisexual women, poor women, White women, immigrant women. This does not affect one group.
I feel like there are women who are genuinely born to be mothers, and women who are born to be aunties, and women who really probably not should be allowed near children. The tragedy that happens is when any one of those women ends up in the wrong category.
There is nothing wrong with "women's studies" that studying the right women can't cure, but feminist literary scholars have a penchant for dragging the rivers of deserved obscurity for third-rate neurotics.
There is nothing wrong with Radha Ravi calling women to his office. There's nothing wrong if a man calls women to his office. There is something wrong if a man calls men to his office.
The characters that I want to play are interesting women. I don't care if they're good women or bad women or vulnerable women or women with a lot of faults or women that we dislike intensely who are malicious.
Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men-that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.
Women are far more likely to follow orders to evacuate, especially women with children. At the same time, women were much more likely to die during the South Asian tsunami. In some villages it was 3 to 1. And that was party because of the average strength it takes to hold onto something. Also it was cultural; women were less likely to know how to swim, as were children. So much of this is based on how we develop our own survival skills before something goes wrong: Even if nothing goes wrong, it might be good to know how to swim.
Crunk Feminist Collective, I think, is a noble endeavor, and any group of young women coming together to uplift women, especially being run by women of color, I have no choice but to support that. But they're dead wrong on me.
I understand why some women/girls/ladies don't want to be women-identified 'cuz it totally complicates your band identity and no one seems to pay much attention to the music or what you're doing. We have chosen to be girl-identified (although Billy isn't a girl!), because we want to encourage other women/girls to play music. When I was growing up, I found it discouraging to have all these women in bands not wanting to address the issue of gender...we're interested in what women are doing.
We do objectify women in our culture. We're starting to objectify men a little bit more. And there is nothing wrong with that. Objectify maybe is the wrong word. Celebrate their bodies and use beautiful men, beautiful women as a tool to get your attention and to sell things. But no-one - we're very, very uncomfortable in our culture with looking at a naked man. You know, naked women are everywhere, selling everything. And again, this is quite sexist. But naked men make us nervous.
I want all women - teens, young women, older women, pregnant women, ageing women - to love and accept themselves.
If you listen to the radio, it's all men who are emotional and women who are sexual. There's nothing wrong with that! It definitely should be the case, but it makes me sad that women are afraid to be emotional because it makes them look weak.
'Al Jamilat' is not just feminist. It's an album with songs that feature women: women who are in love, rebellious women, political activists, women who are more submissive, women who are in charge.
Blind submission in women is considered a virtue, while submission to wrong is itself wrong, and resistance to wrong is virtue alike in women as in man.
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