A Quote by Liz Phair

I always give the encore over to chaos, so people can yell out requests and I can hack my way through a song that I don't really know anymore. — © Liz Phair
I always give the encore over to chaos, so people can yell out requests and I can hack my way through a song that I don't really know anymore.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
Encore' was an experiment. 'Encore' was the second chance at a first impression. 'Encore' was not completely planned.
'Encore' was an experiment. 'Encore' was the second chance at a first impression. 'Encore' was not completely planned.
I know a little about Hack (Wilson) because his picture is next to my locker. I am lucky to be there at the right time. People will now remember two guys, Hack Wilson and myself, and the season is not over yet.
I know Donald's [Trump] very praiseworthy of Vladimir Putin, but Putin is playing a really tough, long game here. And one of the things he's done is to let loose cyber attackers to hack into government files, to hack into personal files, hack into the Democratic National Committee. And we recently have learned that, you know, that this is one of their preferred methods of trying to wreak havoc and collect information.
The song becomes the meaning itself through the vibratory qualities. When we begin to catch the vibratory qualities...the song begins to sing us...I don't know anymore if I am finding that song or if I am that song.
When we first started out we only had five or six songs we could play live, so if we ever got an encore, we used to do our cover of City High's 'What Would You Do?' We'd be playing it and people's mouths would be moving singing all the words, but they'd be thinking, Where is this song from? It's such a brilliant pop song but the lyrics are so dark.
Chaos is my natural habitat. I write about chaotic situations and about people finding their way through the chaos, the hope that you can find your way.
Parents are people who yell and they yell and they yell and they yell. And you already have the point... and they're still yelling.
There are always different things that can happen and I Marjane Satrapi don't want to yell at other people. It's easier if we yell at each other. We're still friends, so obviously it worked out.
People assume that because I'm a celebrity and have this platform that I always know what I'm talking about. I guess I don't always know what I'm talking about because I'm a kid who's trying to figure it out amid all the chaos of the world at large, and also the chaos of having this voice and responsibility. At the same time, this voice and responsibility has been the biggest blessing because I'm able to create change just by posting something on Instagram. That's really amazing. I can't believe that I get to have that megaphone and I get to decide how to use it.
I don't really listen to rock music anymore. But were I to write a song that sounded like it could be a rock song, I'd probably give it to the Pornographers, and I'd be excited to try to make it work.
I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.
My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.
I just know of so many musicians who burn out because they go on tour and they have to play their one-hit song over and over and over and over again. And they are not moved by their own song. And then when you go and see them perform there's something off.
I get recognized for 'The Killing' all the time. People yell out, 'I hope you didn't kill her!' They yell that out in the street.
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