A Quote by Liz Phair
I try to see interviewing as performance art, and just take it as it comes.
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I don't view interviewing as much of a performance. My whole life is in essence a performance but singing and dancing for television is an entirely different thing.
Everything that I spent my entire life dedicated to, which is this art of mentalism, of magic... I don't see it and feel it and experience it like I first did when I was getting involved in this art. I try to look at it as a spectator but unless I get amnesia I still can't overlook that. I can appreciate the performance but I would love to be fooled.
Performance art is going to be the future. Plays on Broadway are so restricted. But performance art is like haikus, just one line thing. And it's more casual but more interesting.
I just try to touch people's hearts in a way through skating, so they're not just witnessing a performance, they're feeling a performance and they're a part of it.
People say if you're doing an art project, that's different from a book, but I honestly don't see it. I try and try, and I just don't.
I went to art school for fine art and then I started doing performance art, and then I started making fun of performance art, and it turned into comedy.
Horror films are art, it's all make believe. It's great if a filmmaker can try to push boundaries and see how much an audience can take and see what happens. It's fun to be able to do that.
You never know when you're taking a job, ever... but you try to take good scripts. That's all you can do as an actor - take the best thing available. Even then, it's not [really] in your control. Certainly not in film and TV, because there are so many other elements. You just have to take control of your own performance.
Right now anything made for the iPad is like performance art. I'm not interested in performance art. Comics are too hard to make to be done for such a passing blip. When it stabilizes, I'll look at it.
My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.
I think it's important to stay curious and see and experience as much as you can, whether it's art, performance, music, travel, or just hanging out and people-watching.
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
The Internet doesn't always play a great role for art, especially art in the street, as people take what they see for the final image of it. But the most interesting thing about street art is to see it for real, to understand what it means and where it's displayed.
I see a lot of similarity between Bengali and Malayalam films regarding the basic emotions, the craftsmanship, art and performance. I also feel both the industries are very true to their art and culture.
I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.
You just can't take yourself too seriously, especially in comedy. You shouldn't try to be funny, but you should try to be as honest as possible. The extreme end of honesty is usually what's funny. That's your job [as an actor]. You just have to let people see it.
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