A Quote by Liz Phair
Everything that people lob at you who don't know you, it all hurts. When you're doing something as simple as making music, which really, theoretically, shouldn't hurt anyone - I mean, it's a song! Step back for five seconds and laugh.
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When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
I think Roy Jones is a great fighter, a great puncher. But you know, he doesn't use the jab. But he's got everything else going for him. The problem that hurts Roy Jones in the boxing business, in the celebrity business, is his attitude. Attitude hurts, because you say a lot of things that you probably don't really mean and you say them because you don't want to be put down. But you've got a lot of people who don't like what you say, and that hurts. And that's what Roy Jones has been hurt by. That's what I have been hurt by.
"I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting" ... "But that's not all people laugh at." "Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people."
Let's say music is needed for only 43 seconds of film. You have to score it so it is an entity, so it won't bother anyone when it ends so quickly. Or if a song runs 2 minutes and 45 seconds, but the titles run a minute longer, you have to arrange that song so it doesn't get repetitious.
In folk music, I've always been fond of the fragment. The song that has one verse. And you don't know anything about the characters, you don't know what they're doing, but they're doing something important. I love that. I'm really a sucker for that kind of song.
I am just a simple guy and I like when people enjoy themselves. I always say: you can laugh, you can cry, you can express yourself but please don't hurt each other. I really don't know, to be honest with you. I'm very impressed with everything that has happened.
Everyone was saved once by music. So I decided to REALLY work on my songs and not just "play" - to make something really good, more "professional." Something which makes you feel better; a song who says: "I know how much you're sad, and you're not alone, this is a song made for you." I really wanted to help with my music.
My humor isn't meant to be mean or hurt anyone. But it's to make them uncomfortable and laugh. I like making people feel a different range of emotions. I like to make people a bit confused.
Music isn't like news, where it's what happened five minutes ago or even 10 seconds ago that matters. With music, a song from the 1960s could be as relevant to someone today as the latest Ke$ha song.
At the end of the day it's going to hurt your feelings if someone says something mean about you, but I've learned to take a step back and ask myself if it's really going to affect me, if this person who I'm never going to know or meet doesn't like me - and it doesn't.
It's all about surprising people, and you're not surprising people if you're making them laugh every five seconds.
Today I acknowledge that I am not in position to judge what mistakes anyone is making or what lessons anyone needs to learn. I don’t know how far someone has come or when that person will have a breakthrough, I simply don’t know what other people should be doing. But when I think I do know, I clearly am not doing what I should be doing, which is taking responsibility for my own life.
When anyone hurts us, my wife and I sit in our Japanese sand garden and drink iced tea. There are five stone in the garden - for sky, wind, fire, water, and earth. We sit and think of five of the nicest things we can about the person who hurt us. If he hurts us a second time, we do the same thing. The third time, we light a candle, and he is, for us, dead.
I say to my students that I can't teach them how to write a good song, but I can teach you how to write a better song. Talking about this idea of it being a process. By going back and not settling for something and find a way to step back from your songs-which is a very hard thing to do-but when you're stuck or you can't move forward, start doing some polishing.
It's a moral problem that the government is making into criminals people, who may be doing something you and I don't approve of, but who are doing something that hurts nobody else.
Even in the things that look most frivolous there has to be the threat of something quite painful to make the comedy work. I suppose the play of mine that's best know is NOISES OFF, which everyone thinks is a simple farce about actors making fools of themselves. But I think it makes people laugh because everyone is terrified inside themselves of having some kind of breakdown, of being unable to go on. When people laugh at that play, they're laughing at a surrogate version of the disaster which might occur to them.
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