A Quote by Liz Tuccillo
My first job in acting was in a Scott Baio movie called 'I Love N.Y.' My role was Italian Girl. I sent my 8x10 to a casting agent in the booklet, 'The Ross Report,' which is where all the agents were listed before that little thing called the Internet. I read for this tiny part. I couldn't have been more excited to get it.
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When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!'
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
My very first acting gig was in a movie for Russ Parr. He did this movie called 'Love for Sale,' and that was my first role in any film.
My very first acting gig was in a movie for Russ Parr. He did this movie called "Love for Sale," and that was my first role in any film.
I read the books the day before I had met with the director Catherine Hardwicke. The first I heard of it was my agent called and said, 'Do you want to be in a vampire movie?' and I said 'No.' I thought it was like a zombie, blood-and-guts, vampire movie.
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.
The day after I got an agent, I got called in for a role in a TV movie called 'Legion Of Fire: Killer Ants.'
I had just done a movie called 'How to Beat the High Cost of Living,' and it didn't get a good review. And the same people sent me the script for 'Airplane!' for the Robert Hays part. I read it, and there were a lot of plays on words, and I said, 'I don't like this kind of comedy.'
I love Donnie Darko movie so much. Just before I got that script, I had been to see some European art film. I walked out of that movie and said to my husband, "That's what I want to do! I want to do an art film and take it to the edge." Within two weeks, we were getting ready to go on vacation, and my agent called.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
Ridiculously - fortunately - my first job was with Dustin Hoffman. I had a little part in this movie called Tootsie. And he taught me how to watch dailies. That it was very important.
My first paid acting job was a movie called Fandango. It also starred Kevin Costner.
If you are called as a missionary—a “sent-out one”—then you are called to comfort those who mourn. You are called to love the broken until they understand God’s love—a love that never dies—through you.
Right before 'Brian's Song' there was a period when I was very despondent, broke, depressed; my first marriage was on the rocks. The role of Gale Sayers had been cast with Lou Gossett, and then he hurt himself playing basketball. I was called in to read for the role. I was their last choice, and I knew it.
My first job was a film called 'Storm Damage' for the BBC. I was 16 and working with really respected British actors. I didn't have an agent at the time, and it kind of threw me into real acting.
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