A Quote by Liz Tuccillo

I love Nicole Holofcener and Lynn Shelton, both for the same reasons: their films are funny without being forced, intimate and real while also being hugely entertaining. — © Liz Tuccillo
I love Nicole Holofcener and Lynn Shelton, both for the same reasons: their films are funny without being forced, intimate and real while also being hugely entertaining.
I love Nicole Holofcener's films for their constant duality of humor and emotion and their focus on very real, if flawed, dynamics between funny people.
The woman I'd want to meet the most is Nicole Holofcener. I've loved every single film she's done. I think her films are deeply comedic while being deeply disturbing and dark.
The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.
Everyone feels a sense of ownership in creating a Lynn Shelton movie. Lynn chooses amazing people - including the crew. Every person there is committed to making the film the best it can be.
I think you can be mature without being grown-up. You can also be grown-up without being mentally mature. One of them is forced, while the other one is your choice.
I've been inspired for a long time by Nicole Holofcener. I admire her greatly as an auteur, examining the human condition in a funny, growing, spirited, honestly dark and human way.
For me, I am a huge fan of Sofia Coppola and Lynn Shelton. I love Lena Dunham, like everybody else. I love Kathryn Bigelow.
Actually, Nicole Holofcener's movies have always felt really right to me. 'Lovely & Amazing' is a movie about women's bodies that I feel is so truthful and painful and real.
I love films that are many things at the same time while being simple.
I started really idolizing people like Nicole Holofcener and Whit Stillman.
My way of dealing with not really fitting in at my very crappy New England high school and junior high was to write sketch comedy and satirical takedowns of the social hierarchies. At the same time, I was developing a love for movies at the height of the '90s New York indie movie explosion: everything from 'Rushmore' to Nicole Holofcener movies.
I'm not saying that I've cheated, being in an intense love with somebody while also feeling the pulls of being a young man, especially being an object of attention.
I think the only real referent for anybody writing drama is probably Hamlet. You have the most extreme tragic drama, this sort of blood-boltered thing, but it's also very funny, which is simply a matter of the playwright being alive and observant and entertaining, and understanding not only the world but what will play.
I'm in a funny position: I've been in one band in my life and that was with my brother. As incredible as that has been, I feel like I'm missing out a little bit on being in a real rock band - or how I imagine being in a real rock band to be. It's like being in a street gang: you all wear the same leather jacket or whatever.
Since I'm not a journalist, I talk about issues that encourage an interchange of ideas through conversation while also being entertaining.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
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