A Quote by Liz Tuccillo

Film is the toughest one for me, as there are many fingers in the pot, so it can be disappointing. However, to have your work seen on such a large scale, that's a very exciting prospect.
The more time passes in your life, I think the greater you understand perspective. So I'm happy that I've had experiences that have reminded me that most exciting things might not feel so exciting later, and the most disappointing things might not be so disappointing later, either.
The very large units of production and exchange have access to credit on a large scale, sometimes without any cover at all, merely upon the prospect of their success, and always upon terms far easier than are open to their smaller rivals. It is perhaps on this line of easier credit that large capital today does most harm to small capital, drives it out and ruins it.
The frontiers of science, on the very small scale and very large scale, require large investments and international effort.
I have lived through many major hurricanes during my lifetime: Camille, Frederic, and Ivan, to name just a very few. However, never have I seen destruction, panic, and fear on this massive scale.
When I did '21 Jump Street,' I felt like I was a part of something great, but on a very large scale. Working with people that genuinely want to make good art or good work or a good film, that's what keeps me going.
Don't scale because you think there's a pot of gold over that rainbow. Scale because you're ready and eager to do heroic work, every day, forever.
You only think about things when you see people doing it. Most girls know now they can be lawyers. They know that they can work in an emergency room - they've seen 'ER.' But I don't recall that anyone has seen scientists on a large scale, except for a few paleontologists in 'Jurassic Park.'
According to me, a film can talk for itself. Like, Aamir Khan does not promote his films on a large scale, but his films work on the box office.
The old saying, 'An army marches on its stomach' has never been more true than in film and television. If it's good, cheerful, and exciting and full of great yummy things, then everyone does really well. If it's the opposite, it's very disappointing.
So many people have to struggle for years, very few bands get success with their first record, but I was instantly successful and famous on a very large scale, which was scary.
That was the most exciting period, I think: at first, when you get the success on that really large scale.
There does seem to be a sense in which physics has gone beyond what human intuition can understand. We shouldn't be too surprised about that because we're evolved to understand things that move at a medium pace at a medium scale. We can't cope with the very tiny scale of quantum physics or the very large scale of relativity.
I'd love to follow the Tour de France one day. It's a really exciting spectacle. I've only seen it once as it was coming into Paris and that was very exciting for me. I have memories of that.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
It's very exciting, everyone wants to see Aston Villa back in the Premier League and kicking on from there. It's great to see this club with such a rich history of being in the top flight, it's an exciting prospect.
I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.
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