A Quote by Liz Vassey

Don't paint a nasty picture of your exes. We'll justifiably wonder what made you stay in those heinous situations in the first place. — © Liz Vassey
Don't paint a nasty picture of your exes. We'll justifiably wonder what made you stay in those heinous situations in the first place.
Girls, when you walk down the street, just stay nasty. Please stay nasty for me because that's how I freak out. So stay nasty and be nasty and have a beautiful time.
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
My childhood was never great. We moved from place to place a lot. There were times when we had no definite place to stay. So, a basic level of security was not always there. Therefore, when you finally make it out, and you become who I am, you're humbled by the memories of those situations.
A picture may be worth 1,000 words, but I think if the picture is made in MS Paint, the going rate might be slightly less.
If you paint a picture and I paint a picture, we each want to do it our own way. And we'll stand or fall on whatever we did.
I just feel like I've been in a lot of high-pressure situations, and I think I'm able to stay poised in those situations.
What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
Certainly, we are all on the shoulders of those who fought for our country. But the first peoples of this land justifiably might feel bitterness.
I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet.
I made advances towards multiple women in work-related situations, where it was clearly inappropriate. I put people in compromising and inappropriate situations, and I selfishly took advantage of those situations where I should have known better. My behavior was inexcusable and wrong.
One arranges flowers as the spirit moves you; to obey some inner prompting to put this colour with that, to have brilliance here, line there, a sense of opulence in this place or sparseness in that; to suit your surroundings, your mood, the weather, the occasion. In a word, to do as you please, just as, if you could, you might paint a picture.
First wonder goes deepest; wonder after that fits in the impression made by the first.
Others first. Whatever your corporate mission, paint a clear and compelling picture that others can understand and embrace. State your mission in terms that appeal to your team's best instincts. Persuade and empower as if you are leading and mentoring volunteers.
Still I should paint my own places best; painting is with me but another word for feeling, and I associate "my careless boyhood" with all that lies on the banks of the Stour; those scenes made me a painter, and I am grateful; that is, I had often thought of pictures of them before ever I touched a pencil, and your picture ['The White Horse'] is one of the strongest instance I can recollect of it.
"Do not lean on your own understanding." That means don't bring in the crutches and lean on them, those crutches that you have designed and made to handle such situations. Stay away from them. Don't lean on them; lean on God.
The pictures come to me in my mind, and if to me it is a worthwhile picture I paint it I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.
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