A Quote by Liz Williams

I've written a detective series myself, set in an imaginary, and slightly futuristic, Chinese city. The novels have an extremely tenuous relationship with the real world, since the hero is the city's Hell and ends up with a sidekick who is a demon.
The Yankees won the pennant, we went on to the World Series, 41 years after that in the city of Toronto. The great city of Toronto, and all the provinces in Canada, everybody reached out and they were excited because we won the first World Series ever, across the border.
It is ridiculous to set a detective story in New York City. New York City is itself a detective story.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
In some ways I consider myself more Chinese, because I live in San Francisco, which is becoming a predominantly Asian city. I avoid falling into the black-and-white dialectic in which most of America still seems trapped. I have always recognized that, as an American, I am in relationship with other parts of the world; that I have to measure myself against the Pacific, against Asia. Having to think of myself in relationship to that horizon has liberated me from the black-and-white checkerboard.
Novels set in imaginary futures are necessarily about the moment in which they are written.
Apparently, the city of Delhi is a 'character' in my novels. I'd argue that it's a ... city... in my novels.
I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.
Living in cities is an art, and we need the vocabulary of art, of style, to describe the peculiar relationship between man and material that exists in the continual creative play of urban living. The city as we imagine it, then, soft city of illusion, myth, aspiration, and nightmare, is as real, maybe more real, than the hard city one can locate on maps in statistics, in monographs on urban sociology and demography and architecture.
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.
Prayer for the city is important. For every city in the world, the city should be prayed for. Particularly for London, it is a strategic city for the UK as well as the world, therefore the future of London is significant to the UK, and also the rest of the world.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
When you have an engagement, at least in my world, the world that I create for myself, an engagement doesn't begin when you hit the stage and end when you leave the stage. It begins when you hit the city limits, and it ends when you leave the city limits.
How different from the cosy world of Rüya's detective novels, where authors never vexed a hero with more signs than he needed.
New York City is a living organism; It evolves, it devolves, it fluctuates as a living organism. So my relationship with New York City is as vitriolic as the relationship with myself and with any other human being which means that it changes every millisecond, that it's in constant fluctuation.
New York City is the most culturally diverse city in the world, and yet there have been few films about the Chinese, Latino, and Middle Eastern experience in New York.
When I started 'City of Bones,' I knew exactly what was going to happen in 'City of Glass.' When I first started the six-book series, I thought of it as a three-book series.
This site uses cookies to ensure you get the best experience. More info...
Got it!