A Quote by Liza Campbell

Now I am as big of an [ Georgia] O'Keeffe admirer as Ivy [Wilkes] is, but that came through writing the book. — © Liza Campbell
Now I am as big of an [ Georgia] O'Keeffe admirer as Ivy [Wilkes] is, but that came through writing the book.
[Ivy Wilkes] loves [Georgia] O'Keeffe's work, but is not satisfied by just looking at the paintings; she wants the painting to be her own. The plot grew naturally out of Ivy's personality (and flaws).
Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
I am a very big admirer of Hillary 's and I am an admirer of Obama as well.
Ivy [Wilkes] does exhibit a certain impatience at the beginning of the book [The Dissemblers]. She doesn't want to wait through years of hard work and insignificance to make her mark on the art world. Part of her growth is in realizing - even embracing - that the process of art is more important than the product or the recognition.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
I was only loosely aware of [Georgia] O'Keeffe's work. Primarily, I had seen her famous paintings of skulls with flowers, which are not my favorite. I didn't really become familiar with her work until after I started writing the book, but the more I learned about her the more I admired her.
I hope to work through disappointment and frustration with as much grace as [Georgia] O'Keeffe did, and I hope to have the same confidence in my own vision.
At the beginning of the book [The Dissemblers], Ivy [Wilkes] has a long way to go in order to achieve self-sufficiency. Although she is very independent, even somewhat of a loner, she is very affected by other peoples' opinions. At the opening of the book, her ideas of success and achievement are largely defined by the approval of others; over the arc of the story, I think that begins to change a little.
I keep thinking: 'Georgia O'Keeffe wouldn't have had Botox.'
In my home country, there was a little shop with old books, but it was really in the countryside. You couldn't find English books. I found this very avant-garde American art book that had information about Georgia O'Keeffe. I was very much impressed by her.
I am tired of the cult of youth. The cultural rejection of old age, the stigmatization of wrinkles, grey hair, of bodies furrowed by the years. I am fascinated by Diana Vreeland, Georgia O’Keeffe and Louise Bourgeois, women who have let time embrace them without ever cheating. Society today condemns this, me, I celebrate it.
I don't need to be married to Georgia O'Keeffe or Lillian Hellman, but I like being with a woman I can look up to.
Poor Georgia O'Keeffe. Death didn't soften the opinions of the art world toward her paintings.
Yet [Georgia O'Keeffe ] always stayed true to her vision, and was at times uncompromising in following the path she saw for herself.
When I am working on an epic-length book, the writing process is fairly long. It takes from four to five years to get through all the drafts. The book is done when I am exhausted.
I was envious of [Vincent] Van Gogh because I could never make a painting that beautiful! (Ridiculous, I know.) That was when the character of Ivy [Wilkes] began to take shape for me.
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