A Quote by Liza Campbell

The motivation to paint seems more pure, or at least more personal, when the artist is doing it for herself. — © Liza Campbell
The motivation to paint seems more pure, or at least more personal, when the artist is doing it for herself.
Nonfiction is more personal for me. It's more personal in that it's more direct, and actually it's always been more direct, even when I first started doing pieces.
Everything I do with BLK DNM is more personal than anything I have done before. I've worked hard to go deeper in my true intuition, and therefore I am definitely more pure in my personal taste than ever.
The whole idea of motivation is a trap. Forget motivation. Just do it. Exercise, lose weight, test your blood sugar, or whatever. Do it without motivation. And then, guess what? After you start doing the thing, that's when the motivation comes and makes it easy for you to keep on doing it.
It seems to me that some releases these days are so collab heavy to the point the artist seems like a guest on their own album and then fans look out more for the collabs than the stand alone tracks from the artist.
I don't sell anything. So, I have a personal image, but I think that's because I'm from an art background, and I'm an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look.
In the long run it makes little difference how cleverly others are deceived; if we are not doing what we are best equipped to do, or doing well what we have undertaken as our personal contribution to the world's work, at least by way of an earnestly followed avocation, there will be a core of unhappiness in our lives which will be more and more difficult to ignore as the years pass.
Did any artist ever bring more pure joy to more people than Fred Astaire?
A sharp difference should exist between general education and specialized knowledge. As particularly today the latter threatens more and more to sink into the service of pure Mammon, general education, at least in its more ideal attitude, must be retained as a counterweight.
I wanted to start doing more music, doing more things than just playing guitar. I started taking singing lessons and piano lessons. I need to learn more things, to be an artist or whatever, and then transfer that back into writing songs.
People are doing too much e-mail. The basic thing is eyeball-to-eyeball. Business relationships are made to be personal. The more people get away from it, the more they are going to lose that personal relationship. That's what I learned - to develop personal relationships with people.
I think the work is always personal. This album differs. It seems to be a lot more positive. It seems to have a certain amount of optimism about it.
What part of people is resistant to an artist doing more than one thing? Is it somehow perceived as greedy? Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play music, to paint, to cook.
I tell you it's no joke to paint a portrait. I wonder that I am not more timid when I begin. I feel almost certain that I can do it. It seems very simple. I don't think of the time that is sure to come when I almost despair, when the whole thing seems hopeless.
The main reason he wanted to be a recording artist was because it gives you much more freedom in your writing. You only have to please the artist and the artist is you so you can be more daring and experimental.
I've been asked often what is the difference between an amateur and a professional artist, and I will tell you. An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
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