A Quote by Liza Cody

people with romantic illusions find it hard to make a living. — © Liza Cody
people with romantic illusions find it hard to make a living.
Romantic poetry had its heyday when people like Lord Byron were kicking it large. But you try and make a living as a poet today, and you'll find it's very different!
It's probably hard to feel any sort of Romantic spiritual connection to nature when you have to make your living from it.
It's hard to make a living in any of the arts. When most people think of artists, they think of the stars and the celebrities. But that's such a tiny minority of the elites who are able to make those millions of dollars. The reality is that it's very hard for the rest to make a living as an artist. So, you really have to persevere and understand that achieving the sort of success where you're making the big money is like winning the lottery.
The only cure for loss of illusions is fresh illusions, more illusions, and always illusions.
I have a romantic comedy I'd love to make, but I can't get the money for it. It's hard to get people to give you money for an arty romantic comedy when you've done a horror movie. So I can just sit there and keep complaining about that, or I can go make another horror movie this year. People will get behind me on that, because I'm relatively bankable. As long as I can do my own thing with it, I'll keep doing it.
Filmmaking is hard. I mean, it's not that hard, but it is hard to find your way through a system because there's a lot of people, there's money, there's a big machine to kind of make it - and how to find methods and processes that allow it to continue to be a lively process and a creative process.
The future, for me, is romantic, I don’t understand people who say the past is romantic. Romantic, for me, is something you don’t know yet, something you can dream about, something unknown and mystical. That I find fascinating.
Ultimately, I think people are so hopeful for having some joy in life that is really hard to find. You can't make a living, and the idea of doing one small bank robbery or something, just trying to find your way in a life, finding your footing and ending up behind bars.
The capacity for people to kid themselves is huge. Living on illusions or delusions, and the re-establishing of these illusions or delusions requires a big effort to keep them from being seen through. But a very old idea is at work behind our current state of affairs: enantiodromia, or the Greek notion of things turning into their opposite.
One of the things I learned from my father, and it did not serve me well at all, was that he was a successful writer, he earned a living. And it was a shock for me to find out that it was actually hard to make a living as a writer.
Not a lot of people make it out from where I'm from but I'm a living example showing you that it's possible. Word hard, play hard.
People have these weird ideas about artists being romantic, generous people, and sometimes I feel like an asshole, a selfish kid, a brat, the lucky one, because I get to do this and it's how I make my living.
I'm trying to find a way to make music work as a living. People used to make their living selling albums. Those days are over! It's kind of an odd time. I guess it's kind of like writing.
There are moments when a kind of clarity comes over you, and suddenly you can see through walls to another dimension that you'd forgotten or chosen to ignore in order to continue living with the various illusions that make life, particularily life with other people, possible.
Making movies is about creating illusions, and they can be subtle illusions, but it's all a cumulative effect as you make these little tweaks. It kinda adds up to something, hopefully.
I was about 26 or 27 and it was imperative that I make a living right away and it's hard to make a living on stage, so I started in television and film.
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