A Quote by Liza Minnelli
I walk fast. Keep moving. Always be a moving target. Marilyn Monroe taught me that.
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Everybody accuses me of moving fast when I direct a picture. I don't move fast, but I just keep moving.
The world has a way of undermining complex plans. This is particularly true in fast moving environments. A fast moving environment can evolve more quickly than a complex plan can be adapted to it. By the time you have adapted, the target has changed.
keep moving. It's hard for old age to hit a moving target.
It should be borne in mind that the target is always trying to shift responsibility to get out of being the target. There is a constant squirming and moving and strategy . . . on the part of the designated target. The forces for change must keep this in mind and pin that target down securely. If an organization permits responsibility to be diffused and distributed in a number of areas, attack becomes impossible.
Everybody who's played Marilyn Monroe before has gone down in flames. It's impossible to capture Marilyn Monroe.
I don't want to be Marilyn Monroe. In many ways, that's a good comparison. Because Marilyn Monroe was a sexpot, all that stuff that I have no interest in. For me, it's much easier to just try to make people laugh than to try to be the hottest thing in the world.
David Bowie's music is a moving target. Just when you think you got the bullseye, it shifts. And to his credit, on to death, it's still shifting. David Bowie is a moving target, even after he's gone.
I think quality will be increasingly important-we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.
Ah, Marilyn, Hollywood's Joan of Arc, our Ultimate Sacrificial Lamb. Well, let me tell you, she was mean, terribly mean. The meanest woman I have ever known in this town. I am appalled by this Marilyn Monroe cult. Perhaps it's getting to be an act of courage to say the truth about her. Well, let me be courageous. I have never met anyone as utterly mean as Marilyn Monroe. Nor as utterly fabulous on the screen, and that includes Garbo.
Anna [Nicole Smith ] in a lot of ways always thought she was going to die young and she said that she thought she was going to be like Marilyn Monroe. Initially, Anna had always wanted to be buried near Marilyn Monroe.
I loved all the other movies, and I loved all the other movie stars, but I was very aware of the fact that I didn't look like Marilyn Monroe - although I still wanted to be Marilyn Monroe. Then Josephine Baker popped up, and she wasn't the maid - she was the star of the show. To me, it was mind-blowing.
It's no fun for an actor to keep repeating what you did before. It's always changing. I'm changing. The target keeps moving. That's the beauty of it.
My mistakes are always around moving too slow or moving too fast without process behind it. And it's something that, if we're not careful, we'll repeat again and again.
People think when you're moving in Zero-G, it's like moving in jelly. But it's not. You're completely free to move however fast as you want.
I don't move until an actor is happy, but it was very important to me as a so-called "first time director" to keep the machine moving. It was especially important to me to keep it moving and not be some kind of precious writer-director.
I'm always moving apartments or moving houses or moving cities.
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