A Quote by Liza Minnelli

I thought that making movies was drab. I'd lived through that. And I didn't want to use my parents, ever... They didn't want to push me into this business. — © Liza Minnelli
I thought that making movies was drab. I'd lived through that. And I didn't want to use my parents, ever... They didn't want to push me into this business.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
You want to accomplish everything; there's no limits to what you want to do. You want to do movies. You want to do modeling. You want to be an entrepreneur - you want to enter every aspect of the entertainment business.
I want to make big movies - but I don't want to have to die a little death every single time I do. Until I meet the people or the studio or the business people who will let me do things a little bit more the way that I need to do them, I probably shouldn't be making big studio movies.
I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.
I want to be acting until the day I die. I want to be in movies and working with people who push me to be a better actor. That's what I look forward to, and that's what's important to me.
The question is, What type of human do I want to be? How do I want to use my platform? Do I want to be safe, under the umbrella of my white privilege? Or do I want to push back and resist?
I love making movies that I want to see made and I want to see on the screen, but I also want to make movies that people enjoy and want to watch.
Although the primitive in art may be both interesting and impressive, as portrayed in American fiction it is conspicuous for dullness alone. Drab persons living drab lives, observed by drab minds and reported in drab writing.
I want to be as creative as I want. I don't ever want to have to compromise; I don't ever want anybody ever to tell me what to do, I don't ever want to argue with somebody because of my vision.
Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.
I don't feel that way now. I don't want to make movies for the 10 people who feel exactly the same way about the world that I do. I want to make movies that many, many people see, and I want to say something that I believe is important in a way that people who don't agree with me can hear. And that involves making different kinds of choices, but it's not like a compromise that I'm making. It's that something else interests me, something else is appealing to me.
A friend of mine from New York asked me what I want to do, and I responded with, 'I want to make movies.' He responded with, 'Guess what? They're not making movies on Martha's Vineyard.' Literally ten minutes later, I was packing my bags.
What's beautiful about the actual acting class environment is that you can use it to push through everything: push your voice, push your inhibitions, push your fears, push your confidence, push your vulnerability, push your silences.
I want to make all kinds of movies. I do want to make big movies that are a lot of fun to go to, but I also want to make movies that are going to stimulate some thought and maybe raise some awareness.
That's the thing with top players, the higher you go up, the more you want. You want to push your body, push your mind, push what you want to get out of that particular season.
I want to explore my boundaries. I want to push myself and go right to the edge of what I am capable of. I don't want to ever be comfortable.
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