A Quote by Lizz Winstead
I had gone back home to finish my book in 2011, and that's when these laws really started coming into states all across the country. I needed to get back to Brooklyn, so I had my two dogs and I rented a van and I called up Planned Parenthood and I said, "I have to drive back to Brooklyn. I've got two dogs and a van. What if I did some fundraisers for you along the way?" And they were like, "Who are you?" I was like, "No, this is a super good idea."
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But I've often said that if I had – I have two dogs – if I had two retarded children, I'd be a hero. And yet the dogs, which are pretty much the same thing. What? They're sweet. They're loving. They're kind, but they don't mentally advance at all. Dogs are like retarded children.
When I worked for Planned Parenthood, we had a specific protocol that we had to follow when picking up our abortion doctor. Looking back, I realize how crazy this was, but at the time, I felt like I was a part of some super secret high-level security task force.
When we woke up every morning, one of our things was, "Let's go put a new sign in the back window of the van." Those are the different signs we had up in the back of our van, so that the people behind us could have something enjoyable to look at.
I am from Brooklyn, NY, so we could not have many pets, but I always had at least two dogs.
The Saint Bernards work best in teams of at least three dogs. They are sent out on patrols following storms, and they wander the paths looking for stranded travelers. If they come upon a victim, two dogs lie down beside the person to keep him warm; one of the two licks his face to stimulate him back to consciousness. Meanwhile, another dog will have already started back to the hospice to sound the alarm.
When I made the UFC, everyone said, 'You need to go overseas.' I thought I had to go as well, and I went to Tristar Gym, and I was there for one or two years. But changes were needed. I'd come off back-to-back losses - Court McGee and Stephen Thompson - and I needed to look at my roots and go back to the drawing board.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
Over the years, I've always had one Labrador and usually two. I've had some great dogs, and I've had some dogs that didn't work out. I found them good homes and gave them away.
This past Thanksgiving, my father was at the farm, and I had all 11 dogs in the house with a father who never allowed dogs in the house. And he got up to leave the table and came back and Solomon was in his chair. And he says, "This dog is in my chair." And I said, "It's the other way around, you're sitting in his chair."
Polaroids were the instant thing to get a photo back when I started it. You had to wait two days to get your film back if you had a real camera, and I was more of an instant-gratification guy.
I had worked on dogs for a couple of years developing a renal transplant operation. We had dogs running around with kidneys we had transplanted back into themselves.
Sounded to me like he had a pretty good idea what he was saying," Van replied, with surprisingly little anger. "It's a pity he had to overintellectualize like that. He did such good work, and then he had to go and intellectualize it.
With 'Pariah,' at the time, I had just come out. I had a coming out experience, and I was writing about it, transposing my experience as an adult: What would it have been like if I had been a teenager in Brooklyn? The funny thing was people thought I was from Brooklyn. I had to be like, 'No, I'm from Nashville.'
You've got to remember, the older you get the slower you get. I've seen a lot of players get old ... if I can have a good season in 1972 and come back with another good one, well, that's different. I might not quit. But two bad ones back to back and staying home would be written on the wall.
Most of my escapades were getting my Labrador dog into the back of my car to drive to Brooklyn where I worked at Avenue M Studios shooting a soap opera and battling being a 17 to 18-year-old playing twins being afraid that I was going to get fired, because who wouldn't fire me? I had no idea what I was doing.
He bent, lips coming to mine and — 'Derek? Chloe?' It was Kit, opening the back door. Derek let out a low growl. 'Never fails.' I turned to Kit. 'How is she?' 'We’re going to take her back to the house now. She’s unconscious again.' 'Then we’ll walk back,' Derek said. 'Give you room in the van to lay her down.' His dad agreed and went back inside. As we walked toward the steps, I looked down at Derek’s hand, holding mine. 'No one’s around,' he said. 'And we can take the back way.' 'Good,' I said, and entwined my fingers with his.
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