A Quote by Lizz Wright

What I like is not a particular genre, it's storytelling. There's a lot of great storytelling in jazz, and in folk and in country music. — © Lizz Wright
What I like is not a particular genre, it's storytelling. There's a lot of great storytelling in jazz, and in folk and in country music.
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
I read a lot - surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I've loved since I was in high school. They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
A lot of what a composer does has to do with storytelling, and there are different ways of fusing music with picture to express different storytelling ideas.
Because there is less female storytelling, especially motherhood storytelling, there has been immense pressure on my storytelling to represent more people, and to do so in a sort of unrealistic way.
Horror is great storytelling with scary elements on top of it, but if you don't have great storytelling, you can have all the scares in the world, but the movie won't work.
I feel like with a lot of Madlib's beats, they are made for storytelling. I feel like when I'm working on stuff with him, I can really get into the storytelling aspect mode of my flow.
To me, the AMC brand is great storytelling - they call it slow-burn storytelling.
People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
I'm grateful when anybody can start to have his or her limited perception of the genre open up a little bit. There's a lot of great music in the country genre that doesn't get heard because people say, 'Well, I don't like country.'
We like mature storytelling. We like dramatic storytelling. We like intense storytelling.
So much Western storytelling comes from Scandinavia. I've read that in the past, storytellers would travel to Iceland and exchange stories. It's kind of the birthplace of great storytelling.
Storytelling has changed. Shows like 'Adventure Time' have taken storytelling in a different direction.
Storytelling is powerful; film particularly. We can know a lot of things intellectually, but humans really live on storytelling. Primarily with ourselves; we're all stories of our own narrative.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
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