A Quote by Lizz Wright
My father was very strict, a very militant parent, because he wanted us to be very focused kids. He sold the televisions, so we didn't watch TV. And he didn't want any music playing that wasn't gospel or inspirational music. In fact, he didn't even like a lot of gospel because he thought it was too bluesy.
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My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
There is no better test as to whether a man is really preaching the New Testament gospel of salvation than the fact that some people might misunderstand it and misinterpret it to mean that it really amounts to this–that because you are saved by grace alone it does not matter at all what you do, that you can go on sinning as much as you like because it will abound all the more to the glory of grace. That is a very good test of gospel preaching. If my preaching and presentation of the gospel of salvation does not expose it to that misunderstanding, then it is not the gospel.
In terms of exploring an identity in the country music world, what I realized very quickly was that there are people who have been performing country music since they were kids. It's very much a part of who they are; very much that jazz and blues are a part of who I am, because I grew up listening to and playing that kind of music.
Singing in church is a very different approach to music. It's very much about transcending the idea of self. It's about finding something greater that connects all of us. Gospel music is about tapping into that.
The core of what we do is the Gospel of Jesus Christ, and my music is a reflection of the Gospel of Jesus Christ. It's not as much inspirational as it is spreading the Gospel.
We are certain that there is forgiveness, because there is a Gospel, and the very essence of the Gospel lies in the proclamation of the pardon of sin.
I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
I always loved Sam Cooke, because he seemed very versatile. He sang gospel, soul, blues, pop music
I always loved Sam Cooke, because he seemed very versatile. He sang gospel, soul, blues, pop music.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
I don't want children cursing. I'm very strict on my nieces and my little brother. They have to listen to clean versions of music. Even my music.
I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
It's very interesting to read why Cornelius Cardew became disenchanted with academic avant-garde music. He wanted to reach as many people as possible and change their consciousness. He wanted to reach the "working classes" in England. The kind of music he was making was very much from the academy, even though it had a lot in common with things like free jazz and improvisation, and he felt that it was the music of the elite, and that he wasn't really speaking to the people.
It's too bad music can't be like movies. For me, playing music and listening to music and creating music is very environmental. It creates a certain environment; it sets a specific mood.
We enjoyed the fact that we were called to the folk festivals and we got to know Joan Baez, Dylan. We were singing strictly gospel, but then after we started hearing songs that they would sing, we saw that those songs were very fitting for us because they were singing the truth, and truth is gospel.
Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?
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