A Quote by Lizzie Armitstead
There are lots of things that could be done. We could get more help from the UCI, like forcing Pro-Tour teams to have a women's equivalent.
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Our sport is ruled whether it's for good and bad, or whatever, for technical things. There's lots of teams out there that could and should have done better if they'd have had technical things. I suppose in the end that basically revolves around how much money they're gonna get.
Women could get it done...That's why we need more women to run so we have more women in power to make decisions.
Well, on lots of small things we could have done better, but on all the big things we called it right. You should make less mistakes as you get older, and I became a councillor back in 1971, so if by this stage in politics I'm making lots of big mistakes, then I shouldn't be here.
I really want women to appreciate their power. It was obvious to me that lots of people are comfortable with power, and they see what it can do, but women's expression of it was never as comprehensive as it could be. It seemed like an amazing gift that Oxygen could give.
The UCI have to make the decision to put in rules into women's cycling that they have in men's cycling: you know, like a minimum budget to run a women's team and that sort of thing so that it becomes more professional.
To be so superfocused and honed in on one thing can be good because then you get what you're supposed to get done, done but you also miss out on other things. I could have spent more time with my family, and a million other little things.
'Perfection' to me is, I walk away from a situation and say, 'I did everything I could do right there. There was nothing more that I could do.' I was a hundred percent, like the meter was at the top. There was nothing else I could have done. You know? Like, I worked as hard as I possibly could have. That's perfection.
There are lots of things I could have done for the money, but I've made a great living doing the things I want to do.
I nodded. A man's world. But what did it mean? That men whistled and stared and yelled things at you, and you had to take it, or you get raped or beat up? A man's world meant places men could go but not women. It meant they had more money,and didn't have kids, not the way women did, to look after every second. And it meant that women loved them more than they loved the women, that they could want something with all their hearts, and then not.
When I tour with a band, things get more unconscious and more automatic as the tour goes on. Music has to be like natural speech. It's probably like learning a foreign language. Thinking about the use of pronouns is not the passionate part of communicating with people.
I created a paradigm by which I could succeed, and up until recently it was the only way I could do it. I could not take the brunt of standing in the light of my own work. There was a Faustian bargain I could not make. I could have you mock me for wearing funny clothes that I could deal with. But I couldn't deal with actually standing in the light of my own musical power. That's the difference now. It's like, okay, no more of that, you're done.
It's weird watching games and being apart from it but seeing teams that could use you in certain situations. You see where you could help different clubs in different ways.
If I could palm a ball I probably could have more dunks than I have in my career, but I still can get the job done.
I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles.
So, they have the same vibe of like that fun kind of spirit, but this one's a lot more serious. It's like, get it done, get it done right, you know? It's got to be perfect. We definitely do lots of takes on this.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
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