A Quote by Lizzie Brochere

It'd be interesting to see a film from an alien perspective. Maybe we're the weird ones. — © Lizzie Brochere
It'd be interesting to see a film from an alien perspective. Maybe we're the weird ones.
There's a movie called 'Pod People' that has a weird little anteater alien. That was a good alien.
Mr. Spock : 'I began to study human behavior from an alien perspective, thinking, humans are interesting, sad, foolish, but worthy of study.
Tobias asked. "Weird? Weird?" Marco crowed. "The talking bird wants to know if getting information on the location of an alien from a whale, that you've just saved from sharks, by turning into dolphins . . . You're suggesting that's weird?
I do a lot of weird movies that maybe you don't like and I experiment a lot but maybe I do appreciate the process and I think my greatest joy in this business is that I have had the ability to screw up in a lot of really interesting films!
Alien Chutney is just what the name suggests it is. Its music that is so funny and quirky and weird that it feels entirely alien to the listener; yet, the content and the subject matter is so Indian and relatable, it's still chutney.
One of the most interesting things for me in playing another species is that you want to make them different enough to be alien but have enough human qualities to be relatable. This really forces you to look at what it is to be human from a totally new perspective!
That's a KORTAN DAHUK. That's the first alien we see in the film [Valerian]. That's another artist. The first one was Chinese, the one with the space station. This one is American. Personally, that's my favorite alien. I love him. I love his profile and his face. There is such a sweetness and almost a sadness in his face.
Film acting, if you don't play the lead, you come, and you do your scenes in a few days, and you act with a couple of colleagues. All the rest of the actors you never see, and you don't even meet many of them. And you don't know what will happen with what you've done. Maybe it will be in the film, maybe it will not.
'Skyline' is an alien invasion film that really takes an interesting look at the genre. The writers did an amazing job of creating a new take at how life from other planets come and plan to invade Earth.
Skyline is an alien invasion film that really takes an interesting look at the genre. The writers did an amazing job of creating a new take at how life from other planets come and plan to invade Earth.
With comics, you don't have to worry so much about budgetary constraints. In film and television, however fanciful you want to be, someone can come up to you and go, 'Okay, this is going to cost X amount of dollars, and we only have so many days to film this.' With graphic novels, you can have that alien invasion you've always wanted to see.
For 'Prometheus,' I came back to a very simple question that haunted me that appears in the first 'Alien,' and no one answered in subsequent Alien films: who was the 'Space Jockey' - the big guy in the seat? If you really go into that, it becomes the basis for a pretty interesting story.
It's interesting for me to do the commentary with the actors because, as a director, you're so in your own world that you see it from your perspective, your issues and what you were trying to do, and then it's really very fun to hear their perspective on how it was to do a particular scene or how they felt, and sometimes, I didn't even know that, at the time.
I was born in 1973, so I did not see 'Alien' when it was released theatrically. I saw 'Alien' when it was on Home Box Office. I think I was probably 10.
I'd rather make an interesting film that gets people talking, that maybe some people hate, than make the kind of 'entertaining' film that everyone feels ambivalent about.
I was at the National Film School and was a cinematographer there. I got quite a lot of experience on documentary film-making and with directors who were interesting - maybe they weren't using scripts or were using non-actors.
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